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Que Dios la perdone

Que Dios la perdone is a Tango written by Manuel Ceferino Flores and recorded by Carlos di Sarli in 1931. The Tango Que Dios la perdone is written by Manuel Ceferino Flores, Carlos di Sarli has recorded Que Dios la perdone with the singer Fernando Díaz.
“Que Dios la perdone,” translated as “May God Forgive Her,” is a poignant tango that resonates with the haunting echoes of lost love and remorse. The title encapsulates a plea for divine mercy, urging forgiveness for perceived transgressions or unspoken heartaches. Through its melodies, the piece speaks a universal language of longing and redemption, where every note is a whispered prayer.

Tango

Style

Carlos di Sarli

Orchestra

Fernando Díaz

Singer

Celedonio Flores

Author

Manuel Ceferino Flores

Composer

1931/1/10

Date

Fernando Díaz
Fernando Díaz
Carlos di Sarli
Carlos di Sarli

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Lyrics Translation of the Tango Que Dios la perdone

This is the translation of the Tango “Que Dios la perdone” from Spanish to English. The English lyrics of the Tango “Que Dios la perdone” have been done with AI.

Letra del Tango Que Dios la perdone

Ruego a Dios que no la quiera mal,
Ruego a Dios que no la haga sufrir,
Que la pena que a mí me ha causado,
No la cargue en su pobre vivir.

Ruego a Dios que la perdone igual
Como yo también la perdoné,
Que sí un día volviera a mi lado
Como antes, para ella seré.

English lyrics of the Tango "Que Dios la perdone"

I pray to God not to love her ill,
I pray to God not to let her endure,
That the sorrow she caused me still,
Won’t burden her life insecure.

I pray to God to forgive her as well,
As I’ve already forgiven her too,
If one day she returns to my world,
As before, for her, I’ll be true.

Que Dios la perdone by Juan De Dios Filiberto

Que Dios la perdone is a Tango written by Juan De Dios Filiberto and composed by Manuel Ceferino Flores.

Story behind the Tango Que Dios la perdone

The tango “Que Dios la perdone” tells a story of heartache wrapped in forgiveness. The song is a plea, a prayer by the narrator asking for divine compassion for a loved one who has caused him emotional pain. The central theme revolves around forgiveness and the hope that the person who has hurt him won’t face the same suffering they inflicted. There’s a sense of longing, highlighted by the narrator’s willingness to embrace the loved one again should they return. This is a personal story of reconciliation and the complex emotional landscape of loss and forgiveness, representative of the broader experiences of love and heartache.

Symbolism of Que Dios la perdone

The song is steeped in symbolism that enhances its emotional resonance. The use of prayer and divine intervention symbolizes a higher level of forgiveness and compassion that transcends human imperfections. Key phrases like “Ruego a Dios que no la quiera mal” suggest a deep, unconditional concern for the loved one’s well-being, despite personal hurt. Here, forgiveness becomes almost sacred, a moral and spiritual duty. Another significant phrase, “Que sí un día volviera a mi lado,” reflects undying hope and love, symbolizing the open-hearted nature of the narrator. These choices of language underscore themes of humility, love, and the redemptive power of forgiveness.

Que Dios la perdone in historic Context

Written in 1931, in Buenos Aires, Argentina, this tango emerges during a time when Argentina was undergoing significant social and economic changes, including urbanization and shifts in cultural dynamics. Buenos Aires was a melting pot of immigrants and local traditions, with tango serving as the voice of emotional expression and communal identity. This context of societal change and cultural fusion deepens the melancholic and hopeful tones of the song, making it relatable to an audience experiencing personal and collective transformations. Tango was often the medium through which poignant stories of love, loss, and longing were told, reflecting the modern experience in an ever-changing society.

Juan De Dios Filiberto

Juan De Dios Filiberto was a renowned tango composer and bandoneonist from Argentina, who played a pivotal role in establishing tango as a prominent cultural and musical form during the early 20th century. His works are celebrated for their deep emotional impact and authentic representation of Argentinean life and sentiments.