Quasi nada by Juan Maglio

Quasi nada is a Tango written by an unnamed lyricist and composed by Juan Maglio.

Story behind the Tango Quasi nada

This tango revolves around themes of bravado, pride, and perseverance. The narrator, likely a character known as “Chino,” presents himself with an air of confidence and flair, marked by his association with a “bacán”—a wealthy person—and a stylish companion named Marisabel. The narrative speaks to the life and culture of the Buenos Aires tango scene, showing off elements of competition and skill in dance and music.

Symbolism of Quasi nada

The tango employs strong symbolism within the cultural lexicon of Buenos Aires. The “pont tip of the tamango” represents the gritty, street-wise nature of the tango dancer, scribing “Marisabel” symbolizing loyalty and effacement in the bustling crowds. “Salgan los taitas” or “out come the ruffians” underscores the underlying bravado and challenges of proving oneself in the competitive arena of Argentine tango. The phrase “Quasi nada” translates to “almost nothing,” invoking a sense of modesty layered over supreme confidence, suggesting that what seems like nothing is, in fact, something formidable and intense.

Quasi nada in historic Context

Created in Buenos Aires in 1940, “Quasi nada” is deeply rooted in the golden age of tango, reflecting the vibrant cultural milieu of Argentina’s capital where the dance was at its peak. The post-1930s era was a time of both political unrest and burgeoning cultural expression, with tango serving as an emotional outlet and unifying force. This context adds a layer of resilient defiance, mirrored in Chino’s persona as a tough, undaunted character.

Juan Maglio

Juan Maglio, known as “Pacho,” was a pioneering tango musician and composer, among the earliest to popularize the genre in Argentina, contributing significantly to its development in the early 20th century.