Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Puro cuento is a Tango written by Francisco Ruiz París (Francisco Ruiz Puch) and composed by Alberto Alonso.
“Puro cuento,” which translates to “Pure tale” or “All fiction,” delves into the theme of emotional resilience and skepticism towards outward expressions of suffering in love and relationships, often viewed as exaggerated or faked in the social milieus of milongas (tango gatherings). Through its lyrics, the tango critiques those who profess deep suffering in romantic endeavors, suggesting instead a more resilient, detached approach to handling personal relationships.
The recurrent theme of dismissing the overt emotional displays as “puro cuento” (all fiction) is a potent symbol contesting the authenticity of emotional display in public or shared cultural spaces, therein critiquing societal norms that idolize overt emotional suffering. Phrases like “Ya estoy estufo de tantos milongueros” and “Que es puro cuento la pena y el dolor,” reject the genuineness of such emotions, emphasizing a pragmatic approach to life’s fluctuating relationships.
Recorded in 1964, a period rich in Argentine political and social transformation, “Puro cuento” emerges as a narrative that might mirror the broader societal skepticism towards superficial appearances versus reality, possibly mirroring the sentiments towards the country’s tumultuous political narratives. Being part of the cultural tapestry of Buenos Aires, the tango also embodies the urban sophistication and the shrewdness associated with city dwellers, hinting at a life lived amidst the façades of city existence.
Francisco Ruiz París, commonly known by his pseudonym Francisco Ruiz Puch, was a notable figure in the Tango scene, revered for his introspective and often provocative lyrics.