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Portero suba y diga

Portero suba y diga is a Tango written by Eduardo De Labar (H) and recorded by Florindo Sassone in 1974. The Tango Portero suba y diga is written by Eduardo De Labar (H), Florindo Sassone has recorded Portero suba y diga with the singer Rodolfo Lemos.
“Portero suba y diga” translates to “Doorman, go up and say” in English. This phrase evokes the image of a messenger ascending to share a vital truth or a heartfelt confession. In the context of a Tango, it captures the essence of urgent communication, embodying a blend of longing, secrecy, and the hope that words can bridge the gap between souls.

Tango

Style

Florindo Sassone

Orchestra

Rodolfo Lemos

Singer

Luis César Amadori

Author

Eduardo De Labar (H)

Composer

1974/1/1

Date

Rodolfo Lemos
Rodolfo Lemos
Florindo Sassone
Florindo Sassone

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Portero suba y diga recorded by other Orchestras

Portero suba y diga recorded by other Orchestras

Lyrics Translation of the Tango Portero suba y diga

This is the translation of the Tango “Portero suba y diga” from Spanish to English. The English lyrics of the Tango “Portero suba y diga” have been done with AI.

Letra del Tango Portero suba y diga

Portero suba y dígale a esa ingrata

que aquí la espero, que no me voy

sin antes reprocharle cara a cara

el mal que ha hecho en mi vida su traición.

No tema ¿no me ve que estoy tranquilo?

si la he seguido para saber

si es cierto que arrastraba mi cariño

con esos niños en esta garçoniere.



Y diga a esos maulas

sotretas sin nombre,

que aquí hay un hombre

si tienen valor.

Y dígale amigo

que aquí yo la espero

que aquí yo me muero

por ella de amor.



Dos años han pasado desde el día

en que llorando llegó hasta mí;

dos años que luché para salvarla,

para vestirla y pa’hacerla feliz.

Y todo para qué, si es pa’matarla

para burlarse de mi pasión.

Portero suba y dígale a esa ingrata

que yo he venido a cobrarle su traición.

English lyrics of the Tango "Portero suba y diga"

Concierge, go up and tell that ungrateful woman

that I’m waiting here, I won’t leave

until I confront her face to face

about the harm her betrayal has done in my life.

Don’t be afraid, can’t you see that I’m calm?

I’ve followed her just to find out

if it’s true she’s been dragging my love

through the mud with those kids in this bachelor pad.

And tell those cowards,

worthless lowlifes,

that here’s a man

if they dare.

And tell her, my friend,

that here I’m waiting

here I’m dying

of love for her.

Two years have passed since the day

she came to me in tears;

two years I’ve fought to save her,

to clothe her and to make her happy.

And all for what, if it’s to kill her

to mock my love.

Concierge, go up and tell that ungrateful woman

that I have come to collect for her betrayal.

Portero suba y diga by Luis César Amadori

Portero suba y diga is a Tango written by Luis César Amadori and composed by Eduardo De Labar.


Story behind the Tango Portero suba y diga

“Portero suba y diga” translates to “Porter, go up and tell her” in English, encapsulating the lyrical narrative wherein the singer asks the building’s porter to deliver a message to a woman who has betrayed him. The song’s protagonist waits to confront her about her treachery, which has profoundly affected his life. This Tango reflects a dramatic and intense confrontation, filled with passion and desperation, as the character reveals his sadness and unyielding love despite the betrayal.


Symbolism of Portero suba y diga

The lyrics of “Portero suba y diga” are rich with symbolism that emphasizes the emotional state of the protagonist. The phrase “portero suba” symbolically raises the emotional stakes, demonstrating the urgency and importance of the message he wants delivered. Further, his mention of “maulas sotretas sin nombre”, which can be interpreted as faceless, lowly tricksters, shows his disdain for the men involved with his beloved, underscoring his sense of betrayal and loss. This use of derogatory language enhances the personal depth of his perceived slight and pain.


Portero suba y diga in historic Context

The Tango, originated and popularized significantly in Argentina during the late 19th and early 20th centuries, has historically portrayed themes of love, betrayal, and social strife—themes which continued to resonate in the cultural context of 1974 Argentina, a year marked by political and social upheaval. In such times, Tango served as an emotional outlet and commentary, mirroring the personal and collective struggles. “Portero suba y diga,” recorded in such a turbulent period, might be seen as a reflection of personal betrayal against the backdrop of a society facing its own crises of trust and integrity.


Luis César Amadori

Luis César Amadori was an influential Argentine filmmaker, theatre director, and lyricist, known for his significant contributions to the cultural landscape of Argentina through cinema and music.