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Portero suba y diga

Portero suba y diga is a Tango written by Eduardo de Labar (h) and recorded by Juan D’Arienzo in 1967. The Tango Portero suba y diga is written by Eduardo de Labar (h), Juan D’Arienzo has recorded Portero suba y diga with the singer Armando Laborde.
“Portero suba y diga,” meaning “Doorman, go up and say” in English, evokes the poignant image of a messenger carrying heartfelt words up flights of emotion. In its essence, this title captures a moment’s yearning, where words unsaid linger in the air, waiting for the doorman to deliver news of longing or love. It speaks to the intermediary role in life’s exchanges, where communication becomes both a burden and a bridge.

Tango

Style

Juan D'Arienzo

Orchestra

Armando Laborde

Singer

Author

Eduardo de Labar (h)

Composer

1967/11/28

Date

Armando Laborde
Armando Laborde
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

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Osvaldo Fresedo – Triste verdad – 1928/9/11
Osvaldo Fresedo – Yo no sé llorar – 1933/11/2
Osvaldo Fresedo – Mañanitas de Montmartre – 1928/7/3
Osvaldo Fresedo – Segui mi camino – 1934/9/13
Francisco Canaro – Eleonore – 1923/1/1
Francisco Canaro – Con alma y vida – 1928/10/10
Francisco Canaro – El africano – 1920/1/1
Francisco Canaro – Mesalina – 1925/1/1
Francisco Canaro – Muchachita loca – 1924/1/1
Pedro Laurenz – La vida es una milonga – 1941/9/5
Pedro Laurenz – Buen amigo – 1925/7/3
Pedro Laurenz – Taconeando – 1942/6/16
Pedro Laurenz – Pato – 1926/11/24
Pedro Laurenz – Como dos extraños – 1940/6/28
Osvaldo Pugliese – No es más que yo – 1954/3/17
Osvaldo Pugliese – Dicha pasada – 1958/11/19
Osvaldo Pugliese – Tangueando te quiero – 1967/9/1
Osvaldo Pugliese – Bordoneo y novecientos – 1962/8/1
Osvaldo Pugliese – Sentimental y canyengue – 1970/6/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Portero suba y diga recorded by other Orchestras

Portero suba y diga recorded by other Orchestras

1967/11/28 – La mariposa – Juan D-Arienzo
1967/11/28 – C.T.V. – Juan D-Arienzo
1967/11/28 – Canaro en Paris – Juan D-Arienzo
1967/11/29 – De puro guapo – Anibal Troilo
1967/11/29 – El marne – Anibal Troilo
Portero suba y diga – 1967/11/28 – Juan D-Arienzo – Armando Laborde
Portero suba y diga – 1951/5/23 – Miguel Calo – Carlos Barbe
Portero suba y diga – 1945/6/28 – Edgardo Donato – Roberto Beltran
Portero suba y diga – 1955/10/19 – Hector Varela – Argentino Ledesma
Portero suba y diga – 1974/1/1 – Florindo Sassone – Rodolfo Lemos
Portero suba y diga – 1960/1/12 – Domingo Federico – Ruben Maciel
Portero suba y diga – 1928/7/28 – Orquesta Tipica Victor – Instrumental

Lyrics Translation of the Tango Portero suba y diga

This is the translation of the Tango “Portero suba y diga” from Spanish to English. The English lyrics of the Tango “Portero suba y diga” have been done with AI.

Portero suba y diga recorded by Juan D’Arienzo


Portero suba y diga is an instrumental Tango composed by Eduardo de Labar (h).



Interpretation of Portero suba y diga

The title “Portero suba y diga,” translating to “Porter, go up and say,” sets the stage for a narrative conveyed through music. The piece is likely a lively tango that evokes the bustling energy of Buenos Aires. Picture a scene where the porter, acting as a messenger, briskly moves through busy city streets and between grand tango halls. The music mirrors his footsteps, sometimes brisk and urgent, sometimes measured and deliberate. Through a blend of fast-paced rhythmic sections and more melodic interludes, the piece evokes the varied emotions and encounters the porter experiences, from excitement to anticipation.



Juan D’Arienzo and Portero suba y diga

Under the direction of the renowned Juan D’Arienzo, known as “El Rey del Compás” or “The King of the Beat,” this composition comes to vibrant life. D’Arienzo’s orchestra interprets “Portero suba y diga” with his signature emphasis on rhythm and precision, delivering a passionate and electrifying rendition. The orchestration highlights the lively guitars and robust violins, punctuated by spirited bandoneón exclamations and a relentless piano beat. Together, these elements craft an invigorating and engaging musical journey.