Fabrice Knecht Tango DJ

Porteñísimo

Porteñísimo is a Tango written by Miguel Caló and recorded by Miguel Caló in 1967. Miguel Caló has recorded Porteñísimo as an instrumental Tango.
“Porteñísimo,” translated as “Most Port-like,” echoes the soul of Buenos Aires, the city where tango was born. It captures the essence of its cobblestone streets, the whispers of the Río de la Plata, and the heartbeat of its vibrant culture. The name speaks to the city’s deep connection with its traditions and its unique, unmistakable flair.

Tango

Style

Miguel Caló

Orchestra

Instrumental

Singer

Author

Miguel Caló

Composer

1967/6/12

Date

Instrumental
Instrumental
Miguel Caló
Miguel Caló

Discover Other Orchestras

Carlos Gardel – Mano mora – 1925/1/1
Carlos Gardel – Se llama mujer – 1929/3/1
Carlos Gardel – Siga el corso – 1928/7/6
Carlos Gardel – Aquellas cartas – 1932/7/23
Carlos Gardel – Maldita visión – 1925/1/1
José De Alto (Dir. José Basso) – Rosicler – 1959/9/14
José De Alto (Dir. José Basso) – Nunca tuvo novio – 1959/9/14
José De Alto (Dir. José Basso) – Yo no sé por qué te quiero – 1959/9/14
José De Alto (Dir. José Basso) – Milonguita (Esthercita) – 1959/9/14
Aníbal Troilo – Toda mi vida – 1971/4/26
Aníbal Troilo – Canción desesperada – 1945/10/9
Aníbal Troilo – Tristezas de la calle Corrientes – 1942/9/18
Aníbal Troilo – La cumparsita – (unknown date)
Aníbal Troilo – La noche que te fuiste – 1945/6/5
Roberto Firpo – Gracia española – 1937/2/15
Roberto Firpo – Adiós chula – 1931/12/19
Roberto Firpo – Cosas olvidadas – 1940/9/28
Roberto Firpo – Curda completa – 1937/12/28
Roberto Firpo – Flor de pajonal – 1930/4/28

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Porteñísimo recorded by other Orchestras

Porteñísimo recorded by other Orchestras

1967/6/12 – Entre dos – Miguel Calo
1967/6/5 – Adios (2) – Miguel Calo
1967/6/5 – He vuelto muchachos – Miguel Calo
1967/6/1 – Bien de abajo – Osvaldo Pugliese
1967/6/1 – Didi – Osvaldo Pugliese
Portenisimo – 1970/8/13 – Juan D-Arienzo – Instrumental
Portenisimo – 1967/6/12 – Miguel Calo – Instrumental

Porteñísimo recorded by Miguel Caló


Porteñísimo is an instrumental Tango composed by Miguel Caló.



Interpretation of Porteñísimo

“Porteñísimo,” translated to English, means “Very Porteño,” which evokes the essence of Buenos Aires’ local culture. As an instrumental tango, it encapsulates the rhythm and vibrancy of the city. The piece is likely characterized by its emotive and dramatic sound, featuring the bandoneón, violin, piano, and double bass, creating complex melodies and rich harmonies. It embodies the dynamic, passionate spirit of tango, painting a musical picture of the streets of Buenos Aires.



Miguel Caló and Porteñísimo

Miguel Caló, a renowned Argentine tango bandleader and composer, presents “Porteñísimo” as a tribute to his roots and the soul of his city. His orchestra, known for its refined and sophisticated interpretations of tango, delivers “Porteñísimo” with elegance, capturing the intricate emotions of the genre. Recorded in 1967, this piece reflects Caló’s profound connection to the culture and traditions of Buenos Aires, masterfully blending the classic elements of tango with his unique style.