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Por qué

Por qué is a Tango written by Osvaldo Fresedo and recorded by Adolfo Carabelli in 1931. The Tango Por qué is written by Osvaldo Fresedo, Adolfo Carabelli has recorded Por qué with the singer Alberto Gómez.
“Por qué,” meaning “Why” in English, is a haunting and evocative title that beckons listeners into a realm of introspection and longing. It captures the essence of unanswered questions, the echoes of bittersweet memories that linger in the soul. With every note, it weaves a tapestry of longing, inviting us to delve into the mysteries of the heart.

Tango

Style

Adolfo Carabelli

Orchestra

Alberto Gómez

Singer

Emilio Fresedo

Author

Osvaldo Fresedo

Composer

1931/11/2

Date

Alberto Gómez
Alberto Gómez
Adolfo Carabelli
Adolfo Carabelli

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Lyrics Translation of the Tango Por qué

This is the translation of the Tango “Por qué” from Spanish to English. The English lyrics of the Tango “Por qué” have been done with AI.

Letra del Tango Por qué

¿Por qué

si yo soy el mismo querés cambiar

mi pilcha ‘e varón?

¿Por qué

si mi pobre ajuar

dio a cantar

mi honda tristeza?

¿Por qué

si no está en mi sangre vos me adornás

p’ hacerme amargar?



Yo soy milonga

sentimental.

Mi nombre es macho

soy el gotán.

Vestí de negro con funyi claro…

Y me quisieron.

Me respetaron.

Y fue muy pura mi vida entera

y hay quien venera mi cuna de ayer.



¿Por qué

quieren que me vista tan ataviao

con tanto trenzao?

¿Por qué

quieren verme así

hecho un gil

de fantasía?

¿Por qué

si he nacido tango y así latió

mi gran corazón?

English lyrics of the Tango "Por qué"

Why

if I am the same, you want to change

my manly clothes?

Why

if my modest possessions

gave voice to

my deep sadness?

Why

if it’s not in my blood you adorn me

to turn me sour?

I am a sentimental milonga.

My name is macho,

I am tango.

Dressed in black with a clear fedora…

And they loved me.

They respected me.

And my life was very pure

and there are those who venerate my birth of yesterday.

Why

do they want me to dress so flashy

with so much braiding?

Why

do they want to see me like this,

made a fool

of fantasy?

Why

if I was born tango and so my heart has beat?

Por qué by Emilio Fresedo

Por qué is a Tango written by Emilio Fresedo and composed by Osvaldo Fresedo.



Story behind the Tango Por qué

The tango “Por qué” expresses a poignant narrative of resistance against change and the betrayal of one’s origins. The lyrics lament the imposition of a façade that does not align with the speaker’s genuine essence, expressed through the metaphor of being asked to wear clothes that feel unnatural. The song is a dialogue with an unspecified “you” who demands these changes, questioning the reasons behind such demands. It highlights a conflict between authenticity and imposed external changes, urging for true self-expression.



Symbolism of Por qué

The lyric “mi pilcha ‘e varón” symbolizes traditional manhood and the authentic self, which is deeply connected with the Argentine tango tradition. “Vestí de negro con funyi claro” uses clothing as a metaphor for identity, emphasizing the simplicity and purity of the past. The intrusiveness of “tantos trenzados” and the adornment represents the unnecessary complexities or modern embellishments that dilute or distort original intent. These symbols convey a resistance to losing one’s foundational identity amid external pressures to conform to a fancier, less authentic style.



Por qué in historic Context

Recorded in 1931, “Por qué” emerged during a period of significant cultural evolution in Argentina, where the intersection of traditional values and modern influences was pronounced. This era saw the urbanization and cosmopolitan development of Buenos Aires, wherein tango, originally a dance of the lower classes, was being transformed and commercialized. Thus, the song’s emphasis on maintaining the purity and original style of the tango can be seen as a nostalgic plea amidst rapid modernization and change, reflecting a wider societal tension between old and new.



Emilio Fresedo

Emilio Fresedo, an influential figure in the Argentine tango scene, contributed significantly to tango’s evolution, often infusing traditional compositions with new life and relevance.