Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Por pecadora is a Tango written by Mario Soto and composed by Juan Caldarella.
“Por pecadora,” which translates to “For Being a Sinner,” poetically captures a narrative of loss, redemption, and pity. The song reflects on the life of a woman portrayed as a fallen “doll,” lavishing love recklessly, wilting among festivities and burning her dreams through her own actions. The lyrical content suggests regret and an evocative reflection of self-destructive behaviors that lead the narrator to ultimately detach their emotions from this troubled woman.
The lyrics present nuanced symbolism and emotional undercurrents. The recurring imagery of “muñequita pecadora” (sinful doll) and the consuming fire in her mouth symbolize her self-destructive nature and the inevitability of her demise. Additionally, the image of her “painted dark circles” underlines her exhaustion and perhaps her façade, hinting at the societal pressures and personal battles she faces. The stark contrast between the narrator’s rekindled peace by removing himself from her life and her continual decline emphasizes the themes of personal salvation versus self-destruction.
The setting of the song in Argentina in 1952 is integral to understanding its emotional and cultural connotations. This period in Argentina was marked by political and social change, influencing the themes of moral contemplation and personal redemption found in Tango music. “Por pecadora” reflects societal attitudes of the time towards behaviors deemed as moral failures, while also showcasing the genre’s characteristic blend of melancholy, nostalgia, and lyrical storytelling.
Mario Soto was a notable lyricist in the Argentine tango sphere, known for his poignant and often melancholic lyrics.