Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Por la vuelta is a Tango written by Enrique Cadícamo and composed by José Tinelli.
The lyrics of “Por la vuelta” depict a poignant reunion between two old friends amidst a rainy night. They share a drink, reminiscences, and emotions tinged both with joy and sorrow. The story unfolds around the common act of sharing a glass of champagne, symbolic of celebration, yet carrying an undertone of deeper personal reflections and past intimacies. The heart of this tango lies in its depiction of connection and farewell, suggesting an acceptance of life’s cycles, as well as the inexorable changes that come with time.
“Por la vuelta” poetically translates to “For the Return” or “By Return,” embodying themes of cycles, reunion, and continuity. Champagne in the narrative emerges not merely as a luxury but as a symbol of past celebrations, shared moments, and perhaps lost opportunities. The motif of rain enhances the mood, portraying a cleansing, a renewal, and at times, a reflection of the tears shed in the story. The phrase “Hoy tu palabra es como un manto… un manto grato de amistad,” metaphorically imprints the notion of words being a comforting cloak, emphasizing the warmth and protection offered by true companionship through emotionally turbulent times.
1956 Argentina, a time of complex social dynamics and political transitions, contextualizes “Por la vuelta” within a landscape of introspection and nostalgia. The tango, with its rich musical and lyrical traditions, serves as a reflective medium for expressing collective emotions prevalent in society. The texture of the music and the lyrical pathos encapsulated in the tango could be seen as a portrayal of the Argentine spirit coping with uncertainties—the warmth of the lyrics an anthem to enduring human connections despite societal upheaval.
Enrique Cadícamo was a renowned Argentine lyricist and poet, well-known for his significant contributions to the tango genre.