Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Por eso grito is a Tango written by César Córdoba and composed by Edgardo Donato.
“Por eso grito” translates to “That’s why I scream” in English, encapsulating the intense emotions and the outpouring of the soul described in the lyrics. The tango expresses deep sorrow and despair, painting a vivid picture of internal torment and the devastating aftermath of a departure. The narrator seems to be grappling with immense grief and loss, suggested by the recurring imagery of crying and shouting as manifestations of their pain.
The lyrics are rich with symbolic imagery that enhances the emotional weight of the song. Phrases like “Sombra… que se desangra en la noche” (Shadow… that bleeds out in the night) and “Con las dos alas quebradas” (With both wings broken) evoke a sense of profound desolation and brokenness. These images create a strong visual metaphor for the narrator’s feelings of helplessness and desolation. References to the natural elements like night and wind crying personify the world around the narrator as sharing in their sorrow, further deepening the mood of shared anguish.
Created in 1945, a period marked by the end of World War II and significant political and social changes worldwide, “Por eso grito” resonates with a universal theme of loss and mourning. Argentina, though geographically distant from the primary theaters of war, was not immune to the era’s global uncertainties and the national introspection they provoked. This tango, with its themes of personal grief and despair, could be seen as echoing the broader existential questions and societal shifts of its time.
César Córdoba was a noted lyricist in the Argentine tango scene, known for his deep, emotive compositions that often delved into themes of love, pain, and societal reflections.