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Por ella ten piedad

Por ella ten piedad is a Tango written by Antonio Polito and recorded by Juan D’Arienzo in 1928. The Tango Por ella ten piedad is written by Antonio Polito, Juan D’Arienzo has recorded Por ella ten piedad with the singer Carlos Dante.
“Por ella ten piedad,” translated into English as “For Her Have Mercy,” echoes with a plea as profound as its melody. It suggests a deep yearning, a heartfelt request for compassion or forgiveness on behalf of a beloved. This evocative title invites listeners to reflect on the complexities of love and the vulnerability inherent in seeking grace.

Tango

Style

Juan D'Arienzo

Orchestra

Carlos Dante

Singer

Antonio Polito

Author

Antonio Polito

Composer

1928/1/1

Date

Carlos Dante
Carlos Dante
Juan D'Arienzo
Juan D’Arienzo

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Lyrics Translation of the Tango Por ella ten piedad

This is the translation of the Tango “Por ella ten piedad” from Spanish to English. The English lyrics of the Tango “Por ella ten piedad” have been done with AI.

Letra del Tango Por ella ten piedad

Dentro de un barrio abandonado,
lleno de ruinas y soledad,
vive tu madre sin un cuidado,
sin un cariño a quien prodigar…
Y entre sus plantas y sus rosales,
se entretiene para olvidar,
y de sus ojos tristes, cansados,
más de una lágrima suele rodar.

Y en la milonga sigue la danza,
corre la espuma del buen champán.
Y entre las risas que hablan de penas,
sigues el rumbo de lo fatal.

Y quien pensara que fuiste buena,
que cierto día se festejó
el compromiso con el muchacho
que te amó mucho y no te olvidó;
que en esas tardes, de cuando en cuando,
llegó a tus puertas, con ilusión,
y entrelazado, juntas las manos,
juró quererte y no te mintió.

Un triste día, tu pobre madre,
en tu cuartito, no te encontró.
Y al ver el lecho triste y vacío,
llena de penas, mucho lloró.

Ya eres otra… toda cambiada;
con ropa fina de gran valor,
por la Avenida, luciendo galas,
ibas jugando con la pasión.
Pero bajaste de aquella cumbre,
y a la milonga fuiste a caer.
Ya sos madera que no da lumbre,
una de tantas ¡oh, pobre mujer!…

Volvé a tu casa, tu madre enferma,
sobre tu lecho, se siente mal;
dale un consuelo, para sus penas,
¡La pobrecita se morirá!

English lyrics of the Tango "Por ella ten piedad"

In a forsaken neighborhood,
filled with ruins and solitude,
your mother lives without a care,
without a loved one to lavish upon…
And among her plants and rosebushes,
she finds distraction to forget,
and from her sad, weary eyes,
more than one tear tends to roll.

And at the milonga the dance continues,
the champagne froth flows.
And amid the laughter speaking of sorrows,
you follow the path of the inevitable.

And those who thought you were good,
that one day celebrated
the engagement with the boy
who loved you much and hasn’t forgotten you;
that on those afternoons, from time to time,
came to your door, filled with hope,
and hand in hand, clasped together,
swore to love you, and he didn’t lie.

One sad day, your poor mother,
in your little room, did not find you.
And seeing the sad, empty bed,
full of sorrows, she wept greatly.

You are another now… all changed;
with fine clothes of great value,
on the Avenue, flaunting finery,
you played with passion.
But you descended from that peak,
and fell into the milonga.
You are now wood that gives no heat,
just one of many, oh, poor woman!…

Return home, your mother is ill,
upon your bed, she’s feeling unwell;
give her comfort, for her sorrows,
The poor dear will die!

Por ella ten piedad by Antonio Polito

Por ella ten piedad is a Tango written by Antonio Polito and composed by Antonio Polito.



Story behind the Tango Por ella ten piedad

The song “Por ella ten piedad” narrates the poignant story of a mother living in a lonely, abandoned neighborhood, surrounded by desolation and the remnants of her past. At the core of the lyrics is a tale of her daughter, who, amidst the glamorous but ultimately destructive city life represented by milongas and champagne, loses herself, forsaking the values she once held dear. It culminates in a poignant plea for the daughter to return home and comfort her ailing mother, highlighting themes of regret, familial bonds, and redemption.



Symbolism of Por ella ten piedad

The song uses potent symbolism, particularly through the contrast between the mother’s simple, pain-filled life surrounded by her plants and roses—a metaphor for what little remains of her happier past—and the daughter’s fleeting, superficial glamor symbolized by “ropa fina” and “la Avenida”. These images intensify the emotional depth of the narrative, showcasing the stark divergence in the paths taken by mother and daughter. The transformation from a warm family promise to a cold, lonely milonga scene underscores the tragic deviation from initial innocence to a hardened, perhaps irredeemable state. Key phrases like “Ya sos madera que no da lumbre,” suggest that the daughter, once full of potential, has become unable to provide warmth or light, emphasizing a squandered existence.



Por ella ten piedad in historic Context

Written and recorded in 1928, “Por ella ten piedad” emerged during a period when Tango music was deeply woven into the fabric of Argentine culture, often reflecting societal concerns and the emotional pulse of its people. The era was marked by both modernization and significant social challenges. The reference to “la Avenida,” likely alluding to a prominent location in Argentina, such as Buenos Aires, encapsulates a critical view of the urban lifestyle that could lead to moral and personal decay, a common critique in the narratives of traditional tangos of that era. The song, therefore, not only tells a personal story but also serves as a social commentary on the consequences of abandoning traditional family values for the allure of a modern, but potentially corrupting, city life.



Antonio Polito

As a composer and lyricist, Antonio Polito remains an influential figure in the Tango genre, known for his ability to capture deep emotional landscapes and societal narratives through his music.