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Pleito malevo

Pleito malevo is a Tango written by Florindo Sassone and recorded by Florindo Sassone in 1952. The Tango Pleito malevo is written by Florindo Sassone, Florindo Sassone has recorded Pleito malevo with the singer Rodolfo Galé.
“Pleito Malevo,” translated to English as “Ruffian Quarrel,” evokes a vivid scene of tension and defiance on a dimly lit street. The music, much like a tango, dances with the intensity of clashing egos and whispers of rebellious spirits. It captures the essence of a fierce struggle, where every note embodies resilience and passion, echoing through the cobblestones of a forgotten barrio.

Tango

Style

Florindo Sassone

Orchestra

Rodolfo Galé

Singer

Raúl Hormaza

Author

Florindo Sassone

Composer

1952/10/9

Date

Rodolfo Galé
Rodolfo Galé
Florindo Sassone
Florindo Sassone

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Juan D’Arienzo – Orquesta Típica – 1941/10/24
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Astor Piazzolla – Todo corazón – 1948/12/14
Astor Piazzolla – Concierto para quinteto – 1986/1/1
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1952/10/9 – Por pecadora – Osvaldo Pugliese
1952/10/9 – Si sos brujo – Osvaldo Pugliese
1952/10/9 – La otra mama – Florindo Sassone
1952/10/9 – Mambo – Florindo Sassone
1952/10/9 – Mi relato – Florindo Sassone

Lyrics Translation of the Tango Pleito malevo

This is the translation of the Tango “Pleito malevo” from Spanish to English. The English lyrics of the Tango “Pleito malevo” have been done with AI.

Letra del Tango Pleito malevo

En una cortada dos taitas malevos

en un entrevero tienen que aclarar.

Es cosa de hombres jugarse la vida,

el pleito es Lucía, flor del arrabal.

Sola de testigo la luna en el cielo,

con función de duelo, muy pálida está,

con su luz plateada, tristona y serena,

espera con pena, el bravo final.



Se cruzan los fierros

buscando la herida,

que arranque la vida

a uno de los dos.

Miradas de fuego,

cual puma salvaje,

el odio, el coraje,

Lucía es su honor.

No siendo un resuello

la suerte esta echada,

pues en la topada

cayeron los dos.

Y el último rezo,

en cruel agonía,

nombran a Lucía

con un triste adiós.



Los bravos varones, con tan poca suerte,

heridos de muerte desangrándose están.

Y llora la luna, detrás de una nube,

y dos almas suben para descansar.

English lyrics of the Tango "Pleito malevo"

In a back alley two tough men
must resolve their clash.
It’s a manly deed to risk one’s life,
the dispute is over Lucia, the flower of the slum.

The moon alone witnesses in the sky,
with a duel underway, it looks very pale,
with its silvery light, sad and calm,
it awaits the brave end with sorrow.

Their blades cross,
searching for a wound,
that will take the life
of one of the two.
Eyes of fire,
like a wild puma,
hatred, courage,
Lucia is their honor.

There’s no more breath,
fate is cast,
for in the clash
both have fallen.
And the last prayer,
in cruel agony,
mentions Lucia
with a sad goodbye.

The brave men, so unlucky,
are dying, bleeding out.
And the moon weeps, behind a cloud,
and two souls rise to rest.

Pleito malevo by Raúl Hormaza

Pleito malevo is a Tango written by Raúl Hormaza and composed by Florindo Sassone.



Story behind the Tango Pleito malevo

“Pleito malevo” translates to “Malevolent Dispute” in English, capturing the essence of a violent confrontation between two men in a back alley over a woman named Lucía, described as the “flower of the suburb.” The drama unfolds under the moonlight, setting a somber and reflective backdrop for the deadly duel that ensues. This tango tells a story of love, honor, and tragic fate as the two men fight to death, leaving Lucía’s honor as their lasting memory.



Symbolism of Pleito malevo

The lyrics heavily utilize night-time imagery, with the moon playing a critical role as a silent witness to the unfolding tragedy. It symbolizes the inevitable and impartial observer of human follies, shedding light on the futility of the fight. The metallic, cold imagery of “crossing irons” resonates with the harshness of the dispute, adding to the overall somber tone. The recurring theme of honor and the ultimate sacrifice for love emphasize traditional values that resonate deeply in the Argentine culture.



Pleito malevo in historic Context

Recorded and released in 1952, “Pleito malevo” emerges during a vibrant period in Argentine tango history, where themes of machismo, love, and tragedy frequently dominated the music scene. This era, post-World War II, saw a resurgence in focusing on personal and often tragic narratives, perhaps reflecting a society grappling with its own losses and recoveries. The expression of these intense, raw emotions through tango music was a cathartic outlet for many, serving as a reflection of the societal mood of the time.



Raúl Hormaza

Raúl Hormaza is recognized for his contributions to Argentine tango, creating works that often delve into themes of love, betrayal, and societal norms.