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Pinta orillera

Pinta orillera is a Tango written by Antonio Arcieri and recorded by Rodolfo Biagi in 1940. The Tango Pinta orillera is written by Antonio Arcieri, Rodolfo Biagi has recorded Pinta orillera with the singer Jorge Ortiz.
“Pinta orillera,” meaning “Riverside Paint” in English, evokes the vibrant and colorful life along the riverbanks. This piece of music captures the essence of tango’s raw and passionate spirit, portraying scenes where the city meets the water. It paints a picture of lively characters and fleeting moments, where the dance of life is as fluid as the river itself.

Tango

Style

Rodolfo Biagi

Orchestra

Jorge Ortiz

Singer

David Farina Ortiz

Author

Antonio Arcieri

Composer

1940/6/28

Date

Jorge Ortiz
Jorge Ortiz
Rodolfo Biagi
Rodolfo Biagi

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Lyrics Translation of the Tango Pinta orillera

This is the translation of the Tango “Pinta orillera” from Spanish to English. The English lyrics of the Tango “Pinta orillera” have been done with AI.

Letra del Tango Pinta orillera

Flaco, trigueño… mirada fiera
Daga cayendo del pantalón,
Dice su vieja pinta orillera
¡Cancha!… Soy guapo de corazón.
¡Arrabalero!… Flor del suburbio
Yerbita criolla del barrio sur,
Cuando un amigo le juega turbio
Pela su fierro, corre el albur.

Guapo, buen mozo
Del arrabal…
Tigre pa´l canto
Luz pa´ bailar.
Dice la gente
Al verlo pasar
Con una criolla
Que es un rosal:
“Falla el coraje
contra el amor,
ahí va Tranquera
rey del facón”
“¡Ah!… quién pudiera
cueriarlo al sol
como esa prenda
lo basurió”

En los candombes de las barriadas
O en la trastienda del almacén,
Ganó sus lauros a puñaladas
Y algunas veces mató también.
Y ensimismado en su propia gloria
Gaucho moderno, sin chiripá,
Es un recuerdo y es una historia
Del Buenos Aires que ya se va.

English lyrics of the Tango "Pinta orillera"

Slim, swarthy… fierce gaze,
Dagger slipping from his trousers,
His old rugged look suggests,
Watch out!… I’m brave at heart.
Streetwise!… Flower of the suburb,
Native herb from the southern district,
When a friend turns against him,
He draws his iron, takes his chance.

Handsome, good-looking,
Man of the neighborhood…
Tiger in a corner,
Light on the dance floor.
People say,
As they see him pass
With a local girl
Who is like a rose garden:
“Courage fails
against love,
there goes Tranquera,
king of the knife.”
“Ah!… who could
sunbathe him
like that darling
shamed him.”

In the candombes of the neighborhoods
Or in the backroom of the store,
He earned his laurels through knife fights
And sometimes he killed too.
And absorbed in his own glory,
Modern gaucho, without traditional pants,
He’s a memory and a story
Of a fading Buenos Aires.

Pinta orillera by David Farina Ortiz

Pinta orillera is a Tango written by David Farina Ortiz and composed by Antonio Arcieri.



Story behind the Tango Pinta orillera

The narrative built within “Pinta orillera” portrays a multifaceted character deeply rooted in the realms of Buenos Aires’ marginalized suburbs. The protagonist, described as ‘Flaco, trigueño… mirada fiera’ (slim, wheatish, with a fierce look), reflects the archetype of a fearless, bold individual, often involved in knife confrontations, as suggested by ‘Daga cayendo del pantalón’ (knife hanging from the trousers). This character’s toughness is juxtaposed with a hint of tenderness when it comes to matters of love, highlighting the complex nature of maintaining a tough exterior while nurturing emotional depths.



Symbolism of Pinta orillera

The poignant imagery of “Falla el coraje contra el amor” (courage fails against love) illustrates the contradiction often faced between one’s persona and emotional vulnerability in love situations. “Pinta orillera” can figuratively translate to “sidewalk cover-up”, symbolically portraying individuals who portray a tough exterior to cover up their deeper emotions. The protagonist’s blade, which both defends and attacks, reflects the sharp edges of his personality and his battles, both literal and metaphorical, emphasizing themes of loyalty, betrayal, and personal honor in the microcosm of Buenos Aires’ lower echelons.



Pinta orillera in historic Context

Recorded in 1940 during a politically tumultuous period in Argentina, “Pinta orillera” reflects the socio-economic struggles and the ethos of the suburban man. The references to neighborhood conflicts like ‘En los candombes de las barriadas’ (In the candombes of the neighborhoods) locate the tango within the cultural practice of candombe, an African-origin dance common in working-class barrios. This layer contextualizes the protagonist’s story within the broader narratives of survival and identity, where the ethos of the arrabal (suburb) embeds deeply within the personal and collective consciousness of the time.



David Farina Ortiz

A storyteller of the suburban life, David Farina Ortiz captures the pulse and verve of Buenos Aires’ street culture through his tango compositions, encapsulating complex human emotions and social dynamics.