Fabrice Knecht Tango DJ

Pinta blanca

Pinta blanca is a Tango written by Mario Perini and recorded by Ángel d’Agostino in 1945. The Tango Pinta blanca is written by Mario Perini, Ángel d’Agostino has recorded Pinta blanca with the singer Ángel Vargas.
“Pinta Blanca” translates to “White Paint,” suggesting a canvas untouched, awaiting the brushstroke of life. In its melody, we find the purity of new beginnings, and the promise of creation yet to unfold. This piece invites listeners to imagine their dreams vividly, painting them across the soundscape with passion and hope.

Tango

Style

Ángel d'Agostino

Orchestra

Ángel Vargas

Singer

Cátulo Castillo

Author

Mario Perini

Composer

1945/8/27

Date

Ángel Vargas
Ángel Vargas
Ángel d'Agostino
Ángel d’Agostino

Discover Other Orchestras

Pedro Laurenz – Julián – 1925/7/3
Pedro Laurenz – Amurado – 1968/12/1
Pedro Laurenz – Enamorado – 1937/7/14
Pedro Laurenz – Corazón que me maltratas – 1944/7/18
Pedro Laurenz – Milonga de mis amores – 1937/7/14
José Garcia – No pudo ser – 1942/9/17
José Garcia – Zorro plateao – 1943/1/13
José Garcia – Lloran las campanas – 1944/6/1
José Garcia – Fea – 1942/1/23
José Garcia – Farolito de papel – 1944/1/17
Héctor Varela – Argañaraz (Aquellas farras) – 1959/9/16
Héctor Varela – 9 de Julio – 1957/4/8
Héctor Varela – Yo también – 1952/12/19
Héctor Varela – El destino la llevó – 1959/12/2
Héctor Varela – El fustazo – 1953/3/6
José Basso – Doble A – 1986/1/1
José Basso – Su nombre era Margot – 1966/1/1
José Basso – Dame tiempo – 1968/1/1
José Basso – Mi vieja viola – 1950/11/17
José Basso – Se marchita un clavel – 1960/8/4

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1945/8/27 – Bailarin de contrasena – Angel d-Agostino
1945/8/28 – Pregonera – Juan D-Arienzo
1945/8/28 – Aqui he venido a cantar – Juan D-Arienzo
1945/8/28 – Azul y oro – Juan D-Arienzo
1945/8/28 – Flor de tango – Osvaldo Pugliese

Lyrics Translation of the Tango Pinta blanca

This is the translation of the Tango “Pinta blanca” from Spanish to English. The English lyrics of the Tango “Pinta blanca” have been done with AI.

Letra del Tango Pinta blanca

Mi zaino no se me atranca
Y en un barrial,
Y aunque lo exija en barranca
Me arranca igual.
Si le grito: ¡Pinta blanca!
En el lodazal, de un tranco,
Sale del barro, con el carro.

Por esa mosca en el anca
Como un lunar,
Lo bauticé “Pinta blanca”
Y es popular,
En el barrio de mi ñata
Cuando paso con mi chata particular.

¡Pinta blanca!
Yo también soy pinta blanca,
Varón de estampa serena,
Porque en mi casa sin tranca
Nunca pudo entrar la pena.

¡Pinta blanca!
Como el pimpollo que arranca
Mi ñata frente a su reja,
Soy el jazmín que se enanca
Por el lomo de mi oreja,
Pareja como un botón.

Coda:
¡Pinta blanca!,
¡Vamos que espera mi ñata!

English lyrics of the Tango "Pinta blanca"

My horse never gets stuck,
Even in the mud,
And though it’s rough on the slopes,
It starts just as good.
When I shout “White Spot!”
In the mud, with one leap,
It pulls out of the muck, with the cart.

Because of that fly on its haunch
Like a beauty mark,
I named it “White Spot”
And it’s well-known,
In the neighborhood of my girl
When I pass by with my special lady.

White Spot!
I’m also White Spot,
A man of calm presence,
Because in my unbarred home
Sorrow could never enter.

White Spot!
Like the bud that sprouts
As my girl stands by her window,
I’m the jasmine that climbs
Up to the back of my ear,
Balanced like a button.

Coda:
White Spot!
Let’s go, my girl is waiting!

Pinta blanca by Cátulo Castillo

Pinta blanca is a Tango written by Cátulo Castillo and composed by Mario Perini.



Story behind the Tango Pinta blanca

The primary themes of “Pinta Blanca” address resilience, loyalty, and personal identity, enveloped in the imagery of a hardworking, unwavering horse named Pinta Blanca. The narrative voice in the lyrics relates closely to the horse, drawing parallels between the horse’s strength and the person’s own character, showcasing a humble pride rooted in perseverance and dependability. Castillo uses the interaction with the horse as a metaphor for his own life experience, where despite adversities, both he and the horse push forward, untiring and resilient.



Symbolism of Pinta blanca

The usage of “Pinta Blanca,” which translates to “White Spot,” symbolically points to distinctiveness and purity amidst the mire (represented by the “barrial” or mud in which the horse excels). Phrases like “never pudo entrar la pena” (sorrow could never enter) highlight an emotional steadfastness, relating back to the clear, unblemished character of both the horse and the narrator. “Mi zaino no se me atranca” (My bay horse doesn’t falter) introduces us to a reliable, unyielding companion, emphasizing traits valued in both the animal and human realms within Argentine culture.



Pinta blanca in historic Context

Written in 1945, “Pinta Blanca” emerges in post-World War II Argentina, a period marked by significant political and social changes. In this context, the tango could be interpreted as echoing a sense of grit and resilience, qualities essential to the Argentine spirit during times of change. Locational references like “En el barrio de mi ñata” (In my girl’s neighborhood) ground the song deeply in the urban landscape of Buenos Aires, making the horse a symbol of rustic vigor surviving within the burgeoning modern city.



Cátulo Castillo

Cátulo Castillo was a prominent Argentine tango poet and composer known for his profound and evocative lyrics.