Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Pico de oro is a Tango written by Enrique Cadícamo and composed by Juan Carlos Cobián.
The lyrics of “Pico de oro” evoke deep nostalgia and a sense of longing for a past love, using the metaphor of an old but unforgettable tango melody. The narrator reflects on memories triggered by this melody, suggesting that while the person they once loved may be gone, the emotions associated with them linger on. This persistent connection to the past through music speaks to the universal experience of remembering and cherishing lost loves.
The primary symbolism in “Pico de oro” lies in its depiction of music as a vehicle for memory and emotion. References to “un perfume viejo” and “los anillos de un sueño nupcial” symbolize things that are bygone yet still impactful—a scent that lingers, a dream of marriage that was once vivid. These elements collectively paint a picture of things that are ethereal and intangible yet profoundly touching. The “lirismo misterioso” of the tango itself reflects the enigmatic and enduring quality of heartfelt emotions carried through time.
“Pico de oro” was recorded in 1952, a time when Tango music was deeply entrenched in Argentina’s cultural fabric, serving both as entertainment and a means of expression for the everyday joys and sorrows of its people. The historical context amplifies the melancholy and reflective tone of the tango, as 1952 was also the year of political and social upheaval in Argentina. This backdrop may have influenced the contemplative and somewhat somber tone of the tango, reflecting a collective introspection in the face of national changes.
Enrique Cadícamo was a renowned Argentine tango lyricist, also known for his poetic works and novels. His contributions to Argentine cultural heritage through tango lyrics are celebrated widely.