Fabrice Knecht Tango DJ

Pichuqueando

Pichuqueando is a Tango written by Domingo Mattio and recorded by Aníbal Troilo in 1966. Aníbal Troilo has recorded Pichuqueando as an instrumental Tango.
“Pichuqueando,” translating to “Playing Pichuco,” evokes the spirited dance of fingers across bandoneon keys, reminiscent of Aníbal “Pichuco” Troilo’s legendary touch. The melody swirls and weaves through smoky rooms, echoing the soul of Buenos Aires. In this tango’s embrace, time pauses, allowing hearts to linger in nostalgia’s gentle sway.

Tango

Style

Aníbal Troilo

Orchestra

Instrumental

Singer

Author

Domingo Mattio

Composer

1966/4/13

Date

Instrumental
Instrumental
Aníbal Troilo
Aníbal Troilo

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Enrique Francini – Melodía oriental – 1970/8/26
Enrique Francini – La miel de tu boquita – 1956/12/20
Enrique Francini – Las rosas de mi madre – 1956/1/19
Enrique Francini – Tema otoñal – 1956/11/14
Edgardo Donato – Si tu supieras (2) – 1936/7/1
Edgardo Donato – Por eso canto así – 1953/11/27
Edgardo Donato – El descolao – 1953/6/25
Edgardo Donato – Mi soberana – 1931/1/1
Edgardo Donato – Para qué – 1952/11/4
Domingo Federico – Senda florida – 1945/2/22
Domingo Federico – Remolino – 1946/8/21
Domingo Federico – Saludos – 1944/4/10
Domingo Federico – China de la Mazorca – 1949/11/16
Domingo Federico – Portero suba y diga – 1960/1/12
Lucio Demare – Ribereña – 1942/3/13
Lucio Demare – Mañana zarpa un barco
Dandy – 1952/1/18
Lucio Demare – Malena – 1951/9/20
Lucio Demare – Señores yo soy del centro – 1944/11/14
Lucio Demare – Al compás de un tango – 1942/3/13

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1966/4/13 – Compadrita mia – Anibal Troilo
1966/4/13 – El ultimo guapo – Anibal Troilo
1966/4/15 – Amar hasta morir – Osvaldo Fresedo
1966/4/15 – El flete – Osvaldo Fresedo
1966/4/15 – Mi Buenos Aires querido – Osvaldo Fresedo
Your eyes trembled with hope
under a soft pale ray.
That ray lights up my wound,
that wound that does not scar,
which swells at sunset
when contemplating the sunset.

Nightly, the grove is revived
in its weeping of leaves.
Nightly, beneath the tree
we felt a voice emerge,
a voice of shadowy sweetness
making the branches tremble.

Tell me you haven’t forgotten,
tell me you haven’t forgotten
that you trembled in my arms,
crying with love.

Tell me you haven’t forgotten,
tell me you haven’t forgotten
that moment of passion,
beneath the hapless tree.

Pichuqueando by

Subheadline: Pichuqueando is a Tango written by and composed by Domingo Mattio.

Story behind the Tango Pichuqueando

“Pichuqueando” delicately unravels the world of Buenos Aires in the early 20th century through its rich lyrical context, centered around the character Pichuco, a nickname for the legendary tango musician Aníbal Troilo. This tango song reflects a day in the life of a person deeply embedded in the cultural fabric of tango, showcasing a blend of nostalgia and homage to the bygone eras of the Buenos Aires tango scene.

Symbolism of Pichuqueando

The term “Pichuqueando” itself is deeply symbolic, encapsulating the essence of living day-to-day through the spirit of tango. It conveys an image of wandering, almost aimlessly, yet with a purpose driven by passion for the arts and the daily struggles of the quintessential city dweller. Through its narrative, the lyrics paint a vivid picture of street life, poignant emotions, and the omnipresent influence of tango music that shaped the social and cultural landscapes of Buenos Aires.

Pichuqueando in historic Context

Recorded in 1966, “Pichuqueando” taps into the nostalgia of the golden age of tango, which peaked between the 1930s and 1950s. The historical backdrop of Argentina during this time was turbulent, with political upheavals and social changes. In this context, tango served not only as entertainment but also as a social commentary, reflecting the sentiments of the lower and middle classes of Buenos Aires. The song’s emphasis on daily activities, surroundings, and feelings contextualizes the perseverance and cultural resilience of the Argentine people during a period of significant change.