Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Pero yo sé is a Tango written by Azucena Maizani and composed by Azucena Maizani.
This tango tells the story of a man who lives a lavish, nocturnal lifestyle, beginning his activities at dusk and indulging in a lifestyle of opulence and romantic escapades. Despite this outward display of enjoyment and freedom, the lyrics delve into the inner turmoil and emotional distress he experiences, emphasizing a persistent, underlying sadness linked to an old, cherished memory. The constant shift from worldly indulgences to private emotional breakdowns captures the central theme of contrasts between public facade and private reality.
The repeated nightly escapades symbolize an escape mechanism, a façade to mask his inner emotional turmoil. The imagery of “paseás por Corrientes, paseás por Florida,” locations known for their vibrant nightlife in Buenos Aires, sets the stage for this facade. These lines reflect the superficial glitz of his life, contrasting sharply with his private despair, symbolized by the line “sentís tu pecho oprimido por un recuerdo querido y te pones a llorar.” This contrast represents the dual nature of his existence, outwardly content but inwardly broken, effectively using urban imagery and personal emotions as pivotal symbolic devices.
“Pero yo sé” was created in 1952, a period marked by political and cultural changes in Argentina, with Juan Domingo Perón’s presidency focusing on social justice and economic reform. The tango, with its themes of masquerade and hidden sorrow, might mirror the national sentiments of dissonance between appearance and reality. The economic prosperity of some contrasted sharply with political restrictions, mirroring the protagonist’s life of superficial pleasure shadowed by personal despair.
Azucena Maizani was a renowned Argentine tango performer and composer, nicknamed “La Ñata Gaucha.” Her contributions to the tango genre were significant during the golden age of tango in the early to mid-20th century.