Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Peringundín is a Tango written by Pintín Castellanos and composed by Pintín Castellanos.
The lyrics of “Peringundín” evoke nostalgic memories of early 20th century Argentina, focusing particularly on the vibrant dance academies that were cultural hubs at the time. Through its narrative, the song tells a tale of young people gathering to dance and socialize, particularly highlighting the dance styles and the spirited nature of these interactions. The mention of “academia ‘Bravas mozas'” likely refers to one such dance hall, renowned for its fiery and lively dancers (“bailarinas de mi flor”). This setting serves as a backdrop to showcase the youthful exuberance and the social dynamics of the era.
The repeated references to dance movements such as “cortes y mediaslunas” and “una corrida, una sentada” symbolize not only the physical acts of dancing but also suggest a deeper representation of freedom and creativity. The term “Peringundín”, albeit not directly translatable, connotes a type of dancer or a person with flair in the local tango scene, adding a layer of admiration for skilled dancers who frequented these academies. These lyrics symbolically capture the essence of Argentine tango culture, celebrating its intricacies and the emotions tied to its performance.
Recorded in 1953, “Peringundín” is steeped in the cultural and social dynamics of Argentine society post-World War II. During this time, tango was not just a dance but an expression of identity and resilience in the face of socio-economic changes. The song serves as both a remembrance and a tribute to the golden age of tango, which reflected the everyday joys and struggles of its people. This piece, by evoking imagery of historical dance academies and the lively gatherings they hosted, provides a window into the cultural fabric of the period and acts as a musical snapshot of Buenos Aires’ urban landscape.
A prominent figure in the Argentine tango scene, Pintín Castellanos is remembered both for his compositions and his vibrant portrayals of mid-20th century life in Buenos Aires.