Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Perdóname señor is a Tango written by Verminio Servetto and composed by Francisco Pracánico.
The tango “Perdóname señor” seems to capture the visceral pain of a man who feels vilified and unjustly judged by society. The narrator addresses his inner turmoil and the accusations he faces about his apparent indifference and bitterness. He speaks of having lived through deceitful joys in his youth, which led him to a state where he finds himself bereft of love or gratitude. The tango unfolds his request for forgiveness to a higher power, expressing a yearning for absolution not just from others but from the weight of his past actions.
This poignant piece employs several compelling symbols. The recurring motif of “la cruz” or the cross signifies the burden of guilt and sin the narrator wishes to discard. This symbol closely ties to the plea, “Perdóname Señor,” translating to “Forgive me, Lord,” highlighting a spiritual quest for redemption. The imagery of flowers and dawns that have died reflects lost innocence and the dimming of hope, enhancing the themes of regret and melancholy.
By the late 1950s, when this tango was crafted, Argentina was undergoing significant political and social changes that could resonate with the feeling of disillusionment and introspection evident in “Perdóname señor”. The character’s reflections on false joys and loss could mirror societal sentiments about disillusionment with the then-current state of affairs, making the personal also universally relatable.
Vermino Servetto, an Argentine lyricist, is known for his contributions to Tango music, a genre intertwined with the cultural and social fabric of Argentina.