Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Pedacito de cielo is a Tango written by Homero Expósito and composed by Enrique Francini.
The lyrics of “Pedacito de cielo” evoke a deep sense of nostalgia and longing, encapsulating the memories of a poignant love from the past. The story unfolds around a house with a gate, described vividly through its appearance, “painted with complaints and songs of love,” suggesting a blend of sorrows and joys. The narrative voice recalls shared moments of youth, poetry, and a young love once vibrant but now remembered with pain and tears, highlighting the bittersweet passage of time.
“Pedacito de cielo” translates to “little piece of heaven,” a phrase rich with symbolism. It refers to a cherished fragment of space and time where love and joy were once experienced. This space is marked by physical elements—the gate, the ivy, and an old balcony—each a metaphor for stages and aspects of the relationship, from its flourishing to its eventual fading. The ivy and the gate personify the enduring but silent witnesses to the love that lived there, now quiet and overgrown with the passage of time. The recurring imagery of nighttime and shadows reflects the present sorrow and yearning for a return to those joyous moments.
Set in 1969 Argentina, a country then experiencing social and political shifts, “Pedacito de cielo” captures personal and collective sentiments of nostalgia and decay. The era was marked by restlessness and the beginning of a struggle against oppressive structures, paralleling the song’s themes of loss and the fading of a cherished era. This context enriches the song’s emotional layers, as individuals sought comfort in memories amidst societal upheaval.
Homero Expósito was a renowned Argentine lyricist, known for his profound and evocative contributions to the Tango genre.