Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Patrona is a Tango written by Cátulo Castillo and composed by Juan Larenza.
The lyrics of “Patrona” vividly portray the life of a street vendor in Argentina, who embraces the daily grind with a unique blend of pride and joviality. The song captures the essence of a vendor, who shouts about his goods – garlic and onions, among the urban landscapes that he views as stages for performing a metaphorical tango. This tango is not just a dance but reflects the intricate, rhythmic maneuvers required to navigate life’s challenges.
The key phrase “¡Ajo y cebolla, patrona!” symbolizes the vendor’s straightforward and essential offerings, which are staple ingredients in many dishes, much like the basic necessities in life. “Patrona”, translated to “boss lady” or “madam” in English, often refers to a woman in charge, or in this context, probably a regular customer or someone he respects. The phrase “¡Le dejo a veinte la ristra!” could be interpreted as an eagerness to please or make a sale, a typical hustle of daily vendors, reflecting economic struggles and the will to survive.
Set in 1951 Argentina, “Patrona” reflects a period marked by political and social change. Post World War II, Argentina was experiencing significant urbanization and industrialization, which led to the proliferation of urban poor and the informal economy, such as street vending depicted in this Tango. The vendor’s cries and his comportment reflect the burgeoning urban culture, where traditional roles and economic activities were being transformed.
Cátulo Castillo was a prominent Argentine tango poet and composer, known for his profound and evocative lyrics, often exploring themes of urban life, nostalgia, and human emotions.