Fabrice Knecht Tango DJ

Para que bailen

Para que bailen is a Tango written by and recorded by Domingo Federico in 1953. Domingo Federico has recorded Para que bailen as an instrumental Tango.
“Para que bailen,” or “So That They May Dance,” invites listeners to lose themselves in the embrace of the rhythm. This piece, perhaps a vibrant tango, spins a tapestry of passion and grace that beckons the heart to move. Its melodies become the whispered urgings of music itself, urging every soul to surrender to its dance.

Tango

Style

Domingo Federico

Orchestra

Instrumental

Singer

Author

Composer

1953/4/29

Date

Instrumental
Instrumental
Domingo Federico
Domingo Federico

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Enrique Rodríguez – Castañuelas – 1947/7/11
Enrique Rodríguez – Marcelina – 1945/5/30
Enrique Rodríguez – Carro viejo – 1942/4/22
Cuarteto Aníbal TROILO – Del barrio de las latas – 1968/8/5
Cuarteto Aníbal TROILO – La cumparsita – 1968/9/11
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Cuarteto Aníbal TROILO – A Pedro Maffia – 1968/9/11
Cuarteto Aníbal TROILO – La tablada – 1968/8/5
Horacio Salgán – Independiente club – 211/12/1
Horacio Salgán – Vieja recova – 1951/8/2
Horacio Salgán – La cautiva – 1954/1/1
Horacio Salgán – 9 de Julio – 1953/1/1
Horacio Salgán – Pobre colombina – 1951/8/2
José Garcia – Calla bandoneon – 1944/4/7
José Garcia – Nocturno de tango – 1943/2/20
José Garcia – Para negros solamente – 1943/2/20
José Garcia – Que no sepan las estrellas – 1945/4/16
José Garcia – Zorzal – 1942/10/27

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1953/4/29 – Por que perdi su querer – Domingo Federico
1953/4/28 – As de carton – Alfredo Gobbi
1953/4/28 – Tu angustia y mi dolor – Alfredo Gobbi
1953/4/24 – Sangre de mi sangre – Edgardo Donato
1953/4/24 – Un poco tarde – Edgardo Donato

Para que bailen recorded by Domingo Federico


Para que bailen is an instrumental Tango composed by .



Interpretation of Para que bailen


The title “Para que bailen” translates to “For Them to Dance” in English. Imagine hearing a vibrant, rhythmic piece filled with the pulsations and dynamics characteristic of tango. It conjures images of couples gracefully moving across a dimly lit dance floor. The instruments of the tango orchestra—each one contributing its unique voice. The bandoneón with its sighs and surges setting the mood, the violin singing with passion, and the piano laying down a heartbeat rhythm. The music invites you to feel the physicality and emotion of dance, creating a scene where music and movement converge effortlessly.



Domingo Federico and Para que bailen


Domingo Federico, known for his evocative renditions and compositions, brings “Para que bailen” to life with expressiveness and precision. His orchestra’s interpretation captures the essence of tango, with an arrangement that mirrors the elegance and complexity of the dance itself. Recorded in the mid-20th century, the piece is reflective of Federico’s commitment to the tango tradition while infusing it with his distinct style, making it an integral part of both his legacy and the broader tango repertoire.