Fabrice Knecht Tango DJ

Para dos

Para dos is a Tango written by Osvaldo Ruggiero and recorded by Osvaldo Pugliese in 1952. Osvaldo Pugliese has recorded Para dos as an instrumental Tango.
“Para dos,” translated from Spanish as “For Two,” evokes an intimate dance, a tango intertwined with passion and grace. In its melody, hearts beat in synchronized rapture, whispering secrets meant only for a pair. It is a dialogue of longing and connection, where every note and pause speaks the language of shared moments.

Tango

Style

Osvaldo Pugliese

Orchestra

Instrumental

Singer

Author

Osvaldo Ruggiero

Composer

1952/5/6

Date

Instrumental
Instrumental
Osvaldo Pugliese
Osvaldo Pugliese

Discover Other Orchestras

Francisco Rotundo – Nunca es tarde (Todavía estás a tiempo) – 1957/1/22
Francisco Rotundo – Tabernero (El tabernero) – 1952/1/31
Francisco Rotundo – Una copa nada más – 1949/1/1
Francisco Rotundo – Las vueltas de la vida – 1952/10/23
Francisco Rotundo – Agüelita qué hora son – 1949/5/23
José Garcia – Lagarterana – 1942/3/17
José Garcia – Cuna de tango – 1944/1/17
José Garcia – No estamos solos – 1944/8/9
José Garcia – Retirao (El retirao) – 1942/3/17
José Garcia – Prestame tu pañuelo – 1942/6/17
Aníbal Troilo – Valsecito amigo – 1943/3/25
Aníbal Troilo – La chiflada – (unknown date)
Aníbal Troilo – Quiero huir de mí – 1963/5/14
Aníbal Troilo – Los cosos de al lao – 1965/1/13
Aníbal Troilo – Chumbicha – 1966/4/1
Orquesta Símbolo Osmar Maderna – Papá Baltasar – 1960/10/14
Orquesta Símbolo Osmar Maderna – Cadenas – 1959/11/23
Orquesta Símbolo Osmar Maderna – Merceditas – 1958/9/23
Orquesta Símbolo Osmar Maderna – Aquellas cartas – 1959/7/8
Orquesta Símbolo Osmar Maderna – Fantasía en tango (Sobre motivos de Brahms) – 1958/9/24

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1952/5/6 – Entrador – Osvaldo Pugliese
1952/5/6 – Contratiempo – Jose Basso
1952/5/6 – Ronda de ensueno – Jose Basso
1952/5/7 – El as de los ases – Hector Varela
1952/5/7 – Tierra negra – Hector Varela

Para dos recorded by Osvaldo Pugliese

Para dos is an instrumental Tango composed by Osvaldo Ruggiero.

Interpretation of Para dos

“Para dos,” when translated into English, means “For Two.” As an instrumental piece, it conjures the imagery of a heartfelt dialogue between two dancers engaged in an intimate and passionate tango embrace. With its evocative melody and complex rhythm, the music captures the tension and harmony of two souls locked in a charming yet intense dance. The composition flows through moments of serene elegance and powerful resolve, mirroring the dynamics of a relationship where two individuals communicate beyond words, solely through the language of music and dance.

Osvaldo Pugliese and Para dos

Osvaldo Pugliese and his orchestra are celebrated for their emotive and precise renditions of tango music. Pugliese’s interpretation of “Para dos” brings the composition’s inherent passion and complexity to life. Known for his piano playing and profound orchestral arrangements, Pugliese infuses “Para dos” with a rich texture and depth. His orchestra’s nuanced performance enhances each emotional nuance, from tender interludes to fervent crescendos, translating the essence of “For Two” into an unforgettable auditory experience.