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Otoño (2)

Otoño (2) is a Tango written by Osvaldo Fresedo and recorded by Osvaldo Fresedo in 1927. Osvaldo Fresedo has recorded Otoño (2) as an instrumental Tango.
“Otoño (2),” translated as “Autumn (2),” is a musical piece that captures the essence of the season in its title. It evokes the vivid imagery of falling leaves and the gentle melancholy of a world transitioning from warmth to chill. In its melodies, one hears the whispered secrets of change and the poignant beauty of time passing.

Tango

Style

Osvaldo Fresedo

Orchestra

Instrumental

Singer

Author

Osvaldo Fresedo

Composer

1927/4/26

Date

Instrumental
Instrumental
Osvaldo Fresedo
Osvaldo Fresedo

Discover Other Orchestras

Juan MAGLIO – Milonguero viejo – 1928/4/2
Lucio Demare – El baile de los domingos – 1943/7/13
Lucio Demare – La calle sin sueño – 1957/1/1
Lucio Demare – Moneda de cobre – 1943/4/1
Lucio Demare – Telón – 1938/6/13
Lucio Demare – Ropa blanca – 1943/6/10
Francisco Canaro – Estoy sobrando – 1916/1/1
Francisco Canaro – El poncho del olvido – 1926/1/1
Francisco Canaro – Tierrita – 1922/1/1
Francisco Canaro – Sobre el pucho (Un callejón en Pompeya) – 1924/1/1
Francisco Canaro – Una vida – 1926/1/1
Francisco Rotundo – Alma de loca – 1952/5/19
Francisco Rotundo – Destino de flor – 1957/6/6
Francisco Rotundo – Viejo smoking – 1949/1/1
Francisco Rotundo – Bien bohemio – 1954/4/12
Francisco Rotundo – Al fin de cuentas – 1957/1/22

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1927/4/26 – Te pintaste los ojos – Osvaldo Fresedo
1927/4/26 – Un tropezon – Osvaldo Fresedo
1927/4/27 – Mabel – Orquesta Tipica Victor
1927/4/27 – Puente Alsina – Orquesta Tipica Victor
1927/4/29 – Pajaro suelto – Roberto Firpo

Otoño (2) recorded by Osvaldo Fresedo


Otoño (2) is an instrumental Tango composed by Osvaldo Fresedo.



Interpretation of Otoño (2)

“Otoño” translates to “Autumn” in English, which immediately conjures an image of transition, introspection, and a hint of melancholy. When interpreted as an instrumental tango by Osvaldo Fresedo’s orchestra, “Otoño (2)” presents a rich tapestry of emotions inspired by the changing seasons. The music likely starts with a soft, reflective melody that represents the gentle descent into autumn’s embrace. As the piece progresses, the strings and bandoneon may evoke the warm, golden hues of fallen leaves, interspersed with moments of crisp, cool breezes symbolized by sharp staccato notes. A recurring theme in the music could reflect nostalgia, with swells of emotion portraying both the end of summer and the quiet beauty found in autumn’s calm. The mood shifts to an intriguing combination of warmth and wistfulness, capturing the listener’s imagination and transporting them to an autumn afternoon in Buenos Aires, accentuating the universal human experience of change and reminiscence.



Osvaldo Fresedo and Otoño (2)

Osvaldo Fresedo was a prominent Argentine tango musician and bandleader known for his refined and elegant style, which earned him the nickname “The Aristocrat of the Tango.” His interpretation of “Otoño (2),” created in the spring of 1927, exemplifies his ability to convey the complexity and emotion inherent in tango music. Fresedo’s orchestra, with its sophisticated arrangements and subtle nuances, provides the ideal setting for this instrumental piece. Their performance of “Otoño (2)” weaves intricate melodies with rhythmic precision, showcasing Fresedo’s signature approach to tango that combines traditional elements with a touch of innovation, capturing the essence of seasonal change and the passage of time through music.