Fabrice Knecht Tango DJ

Oro de ley

Oro de ley is a Milonga written by Román Juri and recorded by Juan D’Arienzo in 1944. The Milonga Oro de ley is written by Román Juri, Juan D’Arienzo has recorded Oro de ley with the singer Alberto Echagüe.
“Oro de ley,” translating to “Gold of Law” in English, evokes an imagery of enduring purity and undeniable value. Much like the precious metal that withstands the tests of time, this piece of music resonates with timeless elegance and authenticity. Its melodies weave a tapestry of passion and truth, inviting listeners to immerse themselves in its rich, golden essence.

Milonga

Style

Juan D'Arienzo

Orchestra

Alberto Echagüe

Singer

Carlos Waiss

Author

Román Juri

Composer

1944/12/15

Date

Alberto Echagüe
Alberto Echagüe
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Lucio Demare – Preludio a mi noche triste
Mi noche triste – 1952/6/18
Lucio Demare – Bien compadre – (unknown date)
Lucio Demare – Canta pajarito – 1943/6/10
Lucio Demare – Tinta verde – 1942/12/9
Lucio Demare – Tal vez será mi alcohol (Tal vez será su voz) – 1943/5/6
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Juego de damas – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Bonita (2) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – La chica de Ipanema (Garota de Ipanema) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – El ensueño de Bahia – 1971/1/1
Miguel Caló – Carriego – 1948/1/5
Miguel Caló – Gime el viento – 1943/11/29
Miguel Caló – Vengo a verla – 1953/4/8
Miguel Caló – Nadine – 1964/4/7
Miguel Caló – Dónde estás corazón – 1965/1/1
Orquesta Símbolo Osmar Maderna – Brindis para la navidad – 1960/10/14
Orquesta Símbolo Osmar Maderna – Mejor así – 1959/9/29
Orquesta Símbolo Osmar Maderna – Gardenias – 1959/8/18
Orquesta Símbolo Osmar Maderna – Fantasía en tango (Sobre motivos de Brahms) – 1958/9/24
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1944/12/15 – Seamos amigos – Juan D-Arienzo
1944/12/15 – Clavel – Juan D-Arienzo
1944/12/15 – El paisanito – Juan D-Arienzo
1944/12/14 – La de los ojos tristes – Miguel Calo
1944/12/14 – Mi natai – Miguel Calo

Lyrics Translation of the Milonga Oro de ley

This is the translation of the Milonga “Oro de ley” from Spanish to English. The English lyrics of the Milonga “Oro de ley” have been done with AI.

Letra del Milonga Oro de ley

Yo soy un mozo cantor
Fogueado de tanto andar,
Tuve una pena de amor
Quien sabe dónde andará.

Mi nombre es el de Juan Cruz
Y por mi orgullo mejor,
De sur a norte alumbrar
Me dicen el ruiseñor.

Les traigo a flor de los labios
Las canciones que me pidan,
Yo sé cerrar una herida
Y hacer olvidar agravios.

Volqué mi acento en los barrios
Y en cualquier sitio que fuere,
Que no canta aquel que quiere
Si no el que sabe cantar.

English lyrics of the Milonga "Oro de ley"

I am a singing young man
Seasoned by so much wandering,
I had a love sorrow
Who knows where it may roam.

My name is that of Juan Cruz
And for my greater pride,
From south to north I light up
They call me the nightingale.

I bring on the tip of my lips
The songs that you may request,
I know how to heal a wound
And make grievances forget.

I poured my accent in the neighborhoods
And wherever I might be,
For he does not sing who wants
But he who knows how to sing.

Oro de ley by Carlos Waiss

Oro de ley is a Tango written by Carlos Waiss and composed by Román Juri.



Story behind the Tango Oro de ley

“Oro de ley” or “Gold standard” in English, reflects the authentic, pure quality of the central figure’s character and artistry, similar to how gold standard measures genuine value. The lyrics narrate the story of a wandering singer, Juan Cruz, who despite suffering from heartbreak, remains passionate and proud of his art. Continuously traveling from south to north, Juan Cruz shares his gift of music, healing wounds and nurturing spirits with his songs, earning him the nickname “the nightingale.”



Symbolism of Oro de ley

The lyrics of “Oro de ley” are rich with symbolic meanings related to authenticity, resilience, and the transformative power of art. The “Gold standard” analogy reinforces the exceptional quality of Juan Cruz’s art, which, like pure gold, is cherished universally. His ability to “make one forget grievances” through his songs underscores art’s cathartic power, serving as emotional alchemy for both the singer and his audience.



Oro de ley in historic Context

Composed in Argentina in 1944 during a turbulent historical period marked by the rise of Peronism, “Oro de ley” resonates with themes of personal authenticity and cultural expression. This era was characterized by deep social and political changes in Argentina. Amidst such shifts, tango music often served as a reflection of the common people’s voice and emotions, capturing the zeitgeist of resilience and cultural pride.



Carlos Waiss

Carlos Waiss was an Argentine lyricist known for his contributions to tango music. His works often capture deep emotional and cultural narratives.