Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Oiga mozo is a Tango written and composed by Alberto Nery.
The lyrics of “Oiga mozo” unfold a poignant tale where the narrator requests a waiter to play a specific tango that evokes deep, personal memories. The song itself narrates the appearance and essence of a young woman, described with vibrant and emotive imagery. The repeated requests to the waiter, urging him to ensure the orchestra remembers the tune, underscore a longing for the past and the emotional weight the song holds for the narrator.
The tango, known for its ability to express melancholy and nostalgia, is a powerful symbol in “Oiga mozo.” The “linda pebeta” with “labios muy rojos” (very red lips) and “ojazos muy tristes” (very sad big eyes) symbolizes youthful beauty tinged with sorrow, perhaps indicating lost love or opportunities. The repeated description of the woman as like a doll could suggest an objectification or an unattainable ideal, enhancing the theme of lost and unreciprocated feelings.
Written during 1942 in Argentina, “Oiga mozo” emerged in a tumultuous historical period characterized by social and political changes. Tango music, deeply entrenched in Argentine culture, often mirrored the sentiments of its people—nostalgia, suffering, and the complexities of love. During this period, tango served not only as entertainment but also an emotional outlet, a canvas portraying the collective psyche of a society facing uncertainty.
Alberto Nery was both the author and composer of “Oiga mozo,” showcasing his dual talents in music and lyricism in the realm of Tango.