Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Nunca mas is a Tango written by Oscar Lomuto and composed by Francisco Lomuto.
In “Nunca mas,” Oscar Lomuto captures the profound feeling of betrayal and unresolved heartache through a night filled with false cheer, tango music, wine, and revelry. The narrator recalls his undying love and dedication to his beloved, who abandoned him, leaving him in despair. With vivid imagery, the song describes the narrator’s attempt to obliterate his memories amidst a seemingly jubilant but internally torturous setting. The repeated phrase, “Nunca más” (Never again), signifies a resolute end to their past relationship, branded painfully in the narrator’s heart by the beloved’s final words.
The text is rich with symbols of emotional turmoil juxtaposed against festive backdrops. Key phrases like “triste y solo, cobarde, te lloré” (sad and alone, cowardly, I cried for you) illuminate the depth of the narrator’s suffering despite outward revelry. The phrase “en tus dulces labios, nena, me he quemado el corazón” (on your sweet lips, babe, I burned my heart) employs the image of burning to represent both intense love and searing pain. Furthermore, the symbolic use of “pálido el rostro como una careta” (pale face like a mask) suggests the facade the narrator maintains to hide the intense grief from the external world.
The tango was composed and released in Argentina in 1974, during a time of significant social and political unrest leading up to the country’s civic-military dictatorship. This period was marked by instability, fear, and disappearance, mirroring the themes of betrayal and loss in “Nunca más.” The melancholic mood and the theme of disillusionment in love can be seen as a reflection of the broader societal betrayal experienced at the time. Lyrics mentioning “muñequita mimosa” and “nunca vuelvas, jamás” could subtly echo the public’s sentiments towards leadership and the painful longing for authentic connection and trust.
Oscar Lomuto was an Argentine lyricist known for his contributions to the Tango genre, collaborating closely with his brother, Francisco Lomuto, who composed the music for their songs.