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Nueve puntos

Nueve puntos is a Tango written by Francisco Canaro and recorded by Carlos di Sarli in 1956. Carlos di Sarli has recorded Nueve puntos as an instrumental Tango.
“Nueve Puntos,” which translates to “Nine Points” in English, is a melodic dance of shadows and light, where each note sketches a vivid story across the ballroom of the mind. It’s a journey through nine distinct emotions, each point a marker on life’s complex web, connecting the heartbeats of passion, longing, and nostalgia with a seamless elegance. This soulful composition captures the essence of tango, as it narrates tales untold through rhythm and grace.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Author

Francisco Canaro

Composer

1956/3/7

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

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Nueve puntos recorded by other Orchestras

Nueve puntos recorded by other Orchestras

Nueve puntos recorded by Carlos di Sarli

Nueve puntos is an instrumental Tango composed by Francisco Canaro.

Interpretation of Nueve puntos

Nueve puntos, translating to “Nine Points” in English, evokes a sense of precision and balance, typically associated with the perfect alignment of elements or the completion of a decisive moment in a game. As an instrumental piece, it expresses this precision through its intricate arrangements and rhythmic dynamics. The Tango’s signature passionate and dramatic melodies are woven meticulously into the structure, reflecting the balance between tension and release. The music might start with a soft, contemplative violin melody, gradually building up through the layers of the bandoneon and piano, reflecting the rising intensity of a passionate encounter or the climax of a strategic game. The piece could feature alternating sections of spirited interplays and poignant solos, capturing the fluid movements and sharp turns inherent in the dance, creating an auditory dance between restraint and expression.

Carlos di Sarli and Nueve puntos

Carlos di Sarli, with his sophisticated and elegant Tango style, imbues Nueve puntos with his characteristic smoothness and refined musicality. His orchestra, known for its lush arrangements and the distinctive sound of his piano, would articulate Canaro’s composition with a polished precision that highlights the emotive depth and rhythmic complexity of the piece. The interplay between the violin and bandoneon sections would be accentuated, resonating with the title’s implication of precision. Di Sarli’s touch on the piano might add an undercurrent of subtle urgency or wistfulness, enhancing the overall composition’s expressive quality, and ensuring that each ‘point’ in the ‘nine points’ resonates with sophistication and emotion.