Nuestro Buenos Aires by Federico Silva

Nuestro Buenos Aires is a Tango written by Federico Silva and composed by Armando Pontier.

Story behind the Tango Nuestro Buenos Aires

The tango “Nuestro Buenos Aires” serves as both a homage and a reflective mirror to the city of Buenos Aires itself, exploring the dual sense of belonging and identity experienced by its residents. The lyrics, recited and sung, paint a vivid portrait of an evolving cityscape intertwined with personal and collective histories.

Symbolism of Nuestro Buenos Aires

The symbolism in “Nuestro Buenos Aires” centers profoundly on the urban landscape and the emotional responses it evokes. Phrases such as “fuimos un río sin desvío ni final” liken the city and the speaker to a river, suggesting a perpetual, unending flow of life and experiences. The references to “mercurio y rascacielos” and “asfalto y amor sesenta y ocho” further anchor the tango in a specific milieu, casting Buenos Aires as a place of both harsh realities and deep affections, shaped significantly by the events of 1968.

Nuestro Buenos Aires in historic Context

“Nuestro Buenos Aires” was penned in 1968, a period marked by significant socio-political upheaval globally and in Argentina. This context casts a shadow over the song, reflected in its tone and content. The mention of “blue-jean y guiñadas verdirrojas” likely points to the youth and counterculture movements of the time, while “Maldonado y su estirado mito de cuchillos” could refer to the tougher, perhaps more perilous aspects of city life, punctuated by the legendary tales attached to the Maldonado stream area.

Federico Silva

Federico Silva was a notable Argentine lyricist known for his profound and reflective takes on everyday life and emotions in his compositions.