Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Noche de locura is a Tango written by Carlos Bahr and composed by Manuel Sucher.
“Noche de locura” translates to “Night of Madness” in English and is a poignant illustration of intense emotion and momentary escape through an encounter steeped in desire and escapism. The lyrics speak to an urgency for love and affection, where the protagonist implores their partner to forget their sorrows through an embrace rather than alcohol. It reflects a deep yearning for connection and the temporary relief from pain by immersing oneself in a passionate, albeit transient, love affair.
The tango uses rich symbolism to enhance its emotional depth. Alcohol symbolizes the characters’ struggles to drown their sorrows and forget past hurts, while the act of kissing represents a more intimate and personal form of escape and possible healing. Phrases like “Emborráchate de amor igual que yo” (Get drunk on love just like me) and “muerde mi boca” (bite my mouth) express a raw, visceral approach to dealing with pain, showing a desperate clinging to another’s presence as a remedy to loneliness and heartbreak.
Recorded in 1954, a time post World War II when Argentina was undergoing significant social and economic changes, “Noche de locura” mirrors the existential malaise and escapism that prevailed among many during this era. For Argentines, the mid-50s were a period of great political tension and uncertainty, which may have influenced the darker, more introspective themes of the tango. The lyrics’ emphasis on forgetting and temporary relief perhaps reflect the broader desire of society to find reprieve from the harsh realities of their world.
Carlos Bahr was a prolific Argentine tango lyricist and poet, known for his deep and often introspective lyrics that explore themes of love, sorrow, and existential angst.