Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No vendra is a Tango written by Enrique Cadícamo and composed by Enrique Cadícamo.
“No vendra,” which translates to “She Will Not Come” in English, encapsulates a narrative of longing and unfulfilled promises. The protagonist waits for someone, expecting them to arrive, only to gradually accept the realization that she is not coming. This acknowledgment is communicated with a mix of hope, resignation, and a poignant understanding of an unrequited or fearful love. The waiting, marked by the smoking of a cigarette, serves as both a literal and metaphorical way to pass time, highlighting the solitude and anticipation that builds with each passing moment.
The cigarette in “No vendra” is symbolic of temporary relief and a way of coping while waiting for the inevitable disappointment. Symbolism also manifests through the final chimes of a clock, signifying the death of hope and the end of waiting. This clock not only marks time but represents the expiration of faith in her arrival. The lover’s fears, confessed through a hesitant goodbye, symbolize the broader anxieties and vulnerabilities inherent in love, especially when overshadowed by past hurt or apprehensions about the future.
“No vendra” was written in a post-World War II context, during a period of global uncertainty and rebuilding when themes of loss and waiting were poignant and relatable on a universal scale. In Argentina, the mid-1940s was also a time of political change and social reflection, with Tango often serving as a reflective medium on personal and collective levels. The emotional undertones of this Tango connect deeply with an era where loss and the hope of renewal were omnipresent in the hearts of many.
Enrique Cadícamo was a renowned Argentine poet and tango lyricist, whose rich contributions have left a lasting impact on the genre.