No tengo contra is a Tango written by Wellington Cinosi and recorded by Alfredo De Angelis in 1962. Alfredo De Angelis has recorded No tengo contra as an instrumental Tango.
The piece “No tengo contra,” meaning “I have no opposition,” resonates like a whispered confession cloaked in melody. It captures the essence of acceptance, where the heart surrenders to the flow of life without resistance. With each note, it invites listeners into a dance of harmony, finding peace in the absence of inner conflict.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No tengo contra is an instrumental Tango composed by Wellington Cinosi.
Interpretation of No tengo contra
The title “No tengo contra,” translated to “I have no opposition” in English, suggests a sense of harmony and acceptance. As an instrumental tango by Wellington Cinosi, it evokes a feeling of smoothness and fluidity, where the music flows without friction or conflict. The melodies might express a serene dance between the instruments, creating an atmosphere of unity and seamless interaction. Listeners could imagine a dance floor where partners glide effortlessly, embodying the idea of overcoming obstacles and embracing syncopated rhythms with grace.
Alfredo De Angelis and No tengo contra
Alfredo De Angelis, renowned for his gracefully dynamic tango orchestra, brings “No tengo contra” to life with his ensemble. His interpretation could emphasize the interaction of piano, bandoneón, and violins, weaving together in a cohesive sound reflective of the harmony implied by the title. De Angelis’s adept musical direction would likely highlight the intricate layers of the composition, crafting a lively yet serene tapestry of sound where the absence of “contra” creates a space for expressive musical dialogue and spontaneous creative flourishes.