Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No quiero perderte is a Tango written by Alberto Morán and composed by Enrique Camerano.
The lyrics of “No quiero perderte” depict a deep-seated fear of loss and the torment associated with fervent love. The protagonist speaks of adoring his beloved perpetually, drawn hypnotically by her physical and emotional allure. This song captures the mixture of pleasure and pain that often accompanies profound affection, characterized by the all-consuming nature of the protagonist’s feelings.
Alberto Morán uses intense imagery and metaphors to evoke the blazing intensity of love and fear of its potential loss. Phrases like “Tu carne encendida, de tibia fragancia” (Your flesh ignited, of warm fragrance) symbolize a passionate and engulfing love affair that stirs the protagonist’s very soul. The recurring motif of fire throughout the song indicates both the warmth of deep love and the destructive potential of losing such a love. Furthermore, by stating that he feels the love in his “venas” (veins), Morán conveys an image of love so powerful that it has become as essential as blood in one’s body.
Tango in Argentina in the 1950s often reflected themes of love, passion, and often, tragic or unattainable love. During this era, society still resonated with traditional values where relationships and romantic endeavors held a pivotal role in daily life and emotional expression. “No quiero perderte,” recorded in 1954, fits well within this context, encapsulating the drama and intensity that Argentine Tango is renowned for. The fear of loss and the angst of potential separation might also reflect the post-world war instability and the cultural shifts occurring at the time.
Alberto Morán was a prominent Tango singer in Argentina, known for his passionate singing style and his significant contributions to Tango music during the golden age of Argentine Tango.