Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No No me la nombres is a Tango written by Reinaldo Yiso and composed by Carlos Lázzari.
“No No me la nombres” can be translated to “No, Don’t Mention Her to Me” and paints a vivid narrative of a man deeply hurt by a past love who pleads with another not to speak her name. Through regret and resentment, the lyrics delve into themes of profound emotional pain, unforgiveness, and the torment of lingering love. The song’s protagonist grapples with both the affection and bitterness left behind, indicating a complex emotional conflict and an unhealed heart.
The recurrent phrase “¡No!, No me la nombres…” symbolizes the emotional turmoil and the heartache associated with memory. Refusing to even hear her name, the protagonist not only shields himself from the pain but also expresses the deep scars left by the relationship. Words like “calvario” and “castigo” suggest a crucifixion-like suffering and a punishment that he endures, symbolizing the extreme feelings of betrayal and grief.
Released in 1958, the tango reflects the rich cultural atmosphere of Argentina where tango music often communicates the passion, sorrow, and intensity of everyday life stories. During this era, tango was evolving with the societal changes of the time, and lyrics often depicted personal stories, capturing feelings of despair, love lost, and nostalgia, which mirrored the collective sentiment during a period of both cultural and political upheaval in Argentina.
Reinaldo Yiso was a notable lyricist in the tango genre, popular for his emotional depth and resonant storytelling.