No me vengas con cuentos is a Tango written by and recorded by Juan D’Arienzo in 1959. The Tango No me vengas con cuentos is written by , Juan D’Arienzo has recorded No me vengas con cuentos with the singer Mario Bustos.
Title explenation
Tango
Style
Juan D'Arienzo
Orchestra
Mario Bustos
Singer
Author
Composer
1959/10/29
Date
Mario Bustos
Juan D’Arienzo
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Lyrics Translation of the Tango No me vengas con cuentos
This is the translation of the Tango “No me vengas con cuentos” from Spanish to English. The English lyrics of the Tango “No me vengas con cuentos” have been done with AI.
No me vengas con cuentos recorded by Juan D’Arienzo
No me vengas con cuentos is an instrumental Tango composed by Juan D’Arienzo.
Interpretation of No me vengas con cuentos
“No me vengas con cuentos,” translated to English, means “Don’t give me stories” or “Don’t come to me with tales.” In the context of an instrumental composition, this title suggests a narrative that is assertive and direct, perhaps expressing skepticism or impatience. The tango, with its passionate and rhythmic nature, perfectly captures these sentiments through intense violin solos, commanding bandoneón, and the dynamic interplay between the instruments. The music likely embodies a conversation filled with sharp, quick exchanges, reflecting the feeling of someone who is weary of deception or excuses. The orchestra’s performance would be anticipated to have a strong, driving tempo, embodying both a sense of urgency and defiance.
Juan D’Arienzo and No me vengas con cuentos
As the conductor of the orchestra, Juan D’Arienzo was known for his vibrant, energetic style that revitalized tango during the mid-20th century. His interpretation of “No me vengas con cuentos” would likely emphasize the lively, robust elements characteristic of his music. D’Arienzo’s orchestra is known for its precise rhythm and punctuation, which would give the piece a lively yet rigorous character, aligning perfectly with the title’s implications of straightforwardness and skepticism.