Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No me extraña is a Tango written by Carlos Bahr and composed by Alberto Celenza.
“No me extraña” translates to “It doesn’t surprise me” in English, reflecting a profound resignation and acceptance of a love that has faded. The lyrics express the speaker’s stoic acceptance of their partner’s fading affection and eventual departure. The speaker reveals a nuanced understanding of love’s transient nature, accepting both the pain of loss and the inevitability of change without bitterness.
The tango uses the symbolism of heartache and acceptance as central themes. Key phrases like “No me extraña tu abandono, pero extraño tu presencia,” which means “Your leaving doesn’t surprise me, but I miss your presence,” poignantly highlight the inner conflict of missing someone while accepting their departure. The use of contrasts between knowing and feeling, between intellectual acceptance and emotional longing, enriches the lyrical narrative, offering a deeper insight into the bittersweet experience of letting go.
Released in 1940, “No me extraña” emerged during a rich period in Argentine tango history, reflecting the genre’s evolution into a global emblem of deep emotional expression. This period was marked by a wave of nostalgia and melancholy, often reflecting broader societal feelings of loss and disillusionment after the economic and political upheavals in Argentina during the 1930s. The lyrics encapsulate the individual feelings against a backdrop of collective societal experiences, making it a timeless piece that resonates with the struggles of love and loss.
Carlos Bahr was a prominent Argentine lyricist known for his deep, reflective, and often poignant lyrics in the tango genre.