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No matarás

No matarás is a Tango written by Juan José Paz and recorded by Carlos di Sarli in 1954. The Tango No matarás is written by Juan José Paz, Carlos di Sarli has recorded No matarás with the singer Oscar Serpa.
“No matarás,” translating to “Thou shalt not kill,” resonates as a haunting refrain within the rhythm of the music. It speaks to the sanctity of life, reminding us of the preciousness of each breath and the fragility of human connections. Through its melody, it calls for compassion and a deep understanding of the consequences of violence.

Tango

Style

Carlos di Sarli

Orchestra

Oscar Serpa

Singer

Eugenio Majul

Author

Juan José Paz

Composer

1954/12/7

Date

Oscar Serpa
Oscar Serpa
Carlos di Sarli
Carlos di Sarli

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Lyrics Translation of the Tango No matarás

This is the translation of the Tango “No matarás” from Spanish to English. The English lyrics of the Tango “No matarás” have been done with AI.

Letra del Tango No matarás

¡No sé querer…
viví pensando en mí!
¡No sé querer!…
siempre
detrás del oro y de la piel.
Yo hice de mi ensueño de otras horas
sólo charcos que lo enlodan.
¡No hice amigos!… rodé en copas,
y es por eso que no sé querer,
que soy el mismo horror
mostrando, cruel,
sombras… abismo y sordidez.

¡No matarás…
en voz de Dios!
¡No matarás…
y yo maté!
porque es matar vivir sin Él…
¡Y yo maté…
porque en halagos, vida y alma destrocé!
¡Y yo maté…
porque en mil besos arrastré mi corazón!
Porque un hogar
pude tener…
y en él, la fe que da el amor.

¡No sé querer…
viví pensando en mí!
¡No sé querer…
siempre
tras el pecado que alenté!
Yo hice de mi vida una tragedia,
pues la noche entró en mis venas
con su carga de miserias…
Y es por eso que no sé querer
que soy el mismo horror
mostrando, cruel,
sombras… abismo y sordidez.

English lyrics of the Tango "No matarás"

I don’t know how to love…
I lived thinking of myself!
I don’t know how to love!…
always
behind the gold and the skin.
I made of my dreams from other hours
just puddles that muddy them.
I made no friends!… rolled in cups,
and that’s why I don’t know how to love,
that I am the same horror
showing, cruel,
shadows… abyss and sordidness.

Thou shalt not kill…
in God’s voice!
Thou shalt not kill…
and I killed!
because to live without Him is to kill…
And I killed…
because in flattery, life and soul I destroyed!
And I killed…
because in a thousand kisses I dragged my heart!
Because a home
I could have had…
and in it, the faith that love gives.

I don’t know how to love…
I lived thinking of myself!
I don’t know how to love…
always
after the sin I encouraged!
I made of my life a tragedy,
for the night entered my veins
with its load of miseries…
And that’s why I don’t know how to love
that I am the same horror
showing, cruel,
shadows… abyss and sordidness.

No matarás by

No matarás is a Tango written by and composed by Juan José Paz.

Story behind the Tango No matarás

“No matarás” navigates through a landscape of personal reflection and emotional turmoil. The protagonist confesses a life dominated by self-centeredness and material pursuits, admitting to a profound inability to love genuinely. The lyrics reveal a haunting introspection, with the speaker acknowledging the metaphorical deaths caused by their choices and lifestyle.

Symbolism of No matarás

The recurring plea of “No matarás” (“You shall not kill”) takes on symbolic weight, extending beyond its literal sense to emphasize the spiritual and emotional destruction caused by living without true love or connection. Key phrases like “viví pensando en mí” (“I lived thinking of myself”) and “es por eso que no sé querer” (“that’s why I don’t know how to love”) encapsulate the central theme of narcissistic solitude and its repercussions. The use of imagery such as “sólo charcos que lo enlodan” (“only puddles that muddy it”) and “sombras… abismo y sordidez” (“shadows… abyss and sordidness”) paints a vivid picture of the protagonist’s inner chaos and regret.

No matarás in historic Context

Written in Buenos Aires in 1954, “No matarás” reflects post-World War II sentiments and resonates with the existential crises prevalent during that era. Argentina, under the leadership of Juan Domingo Perón, experienced significant social and economic transformations, marked by political tensions and cultural shifts. These adversities may have influenced the Tango’s themes of disillusionment and moral introspection, with its articulation of a personal and societal quest for redemption.

was the lyricist behind many evocative tangos, capturing the human condition with profound emotional insight.