Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No llores madre is a Tango written by Alfredo Faustino Roldán and composed by Francisco Lauro.
“No llores madre” (translated as “Do not cry mother”) is a poignant exploration of regret and repentance expressed from a child to his mother, reflecting the emotional intricacies of familial relationships and personal remorse. The narrator acknowledges the pain caused to his mother and expresses a deep yearning to return to the innocence and comfort of his childhood, symbolized by his mother’s embrace and the “cotorrito” (small home) where he learned about love. The lyrics delve into a journey of coming back to the roots, seeking forgiveness and finding peace in the maternal bond that remains untarnished by time and external relationships.
The recurring themes of tears and sorrow are counterbalanced by the imagery of sublime charm and mysterious pain linked to maternal love. There’s a profound symbolism in “quiero en tu regazo soñar” (“I want to dream in your lap”), which signifies a desire to return to a state of childlike peace and security. The contrast between the agony of past mistakes and the sanctity of maternal affection is evocatively captured in phrases like “las horas de amargura” (hours of bitterness) and “la luz, de tu inmortal pasión” (the light of your immortal passion), showcasing a deep longing for redemption and the healing power of a mother’s love.
Recorded in 1936 in Argentina, “No llores madre” emerges during a period rich in the cultural development of Tango, a dance and music genre deeply embedded in the Argentine identity. This era was marked by a mix of political turmoil and vibrant artistic expression, with Tango music often reflecting personal narratives that resonated with broader societal emotions. The themes of personal sorrow and return to familial roots could be seen as reflective of a larger societal desire for stability and a return to ‘simpler times’ amidst the complexity of the era.
Alfredo Faustino Roldán was an Argentine lyricist known for his contributions to the Tango genre, capturing the deep emotional currents and stories of ordinary life in his compositions.