Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No fue ninguno de los dos is a Tango written by Leopoldo Díaz Vélez and composed by Roberto Vallejos.
The lyrics of “No fue ninguno de los dos” explore a poignant story of love and separation where neither party is to blame for the pain they endure. The phrase “No fue ninguno de los dos” translates to “It was neither of us,” reflecting mutual innocence in the fallout of their relationship. This theme of a shared journey that diverges without clear fault from either side provides a rich emotional narrative, acknowledging the complexity of relationships where love still exists amidst unresolved grief and misunderstanding.
Leopoldo Díaz Vélez uses vivid symbolism to articulate the intricacies of the emotions being conveyed. “Hondo y cruel misterio de las cosas” (Deep and cruel mystery of things) suggests an almost existential contemplation about the elusive nature of relationships and understanding. The imagery of losing “Tanta pasión y tanto amor” (So much passion and so much love) along a metaphorical path signifies the journey of their relationship that has led to an unintended destination of separation. This path symbolizes the life choices and circumstances that inadvertently guide emotional connections into disarray.
Set in Argentina in 1966, “No fue ninguno de los dos” comes from a period marked by political and social changes. This time in Argentine history was turbulent with shifts in governance and public unrest. In such a context, the song might mirror the broader societal feelings of displacement and misunderstanding, articulating a personal narrative that resonates with the collective experiences of loss and disorientation. Therefore, the song’s theme of blameless separation could also reflect a general sentiment of confusion and helplessness, typical of the era.
Leopoldo Díaz Vélez was an Argentine lyricist known for his poignant contributions to the tango genre. His works often explore themes of love, separation, and existential mystery, deeply rooted in Argentine culture.