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No culpes al amor

No culpes al amor is a Tango written by Juan Pueblito and recorded by Alfredo De Angelis in 1958. The Tango No culpes al amor is written by Juan Pueblito, Alfredo De Angelis has recorded No culpes al amor with the singer Juan Carlos Godoy.
The Spanish title “No culpes al amor” translates to “Don’t Blame Love” in English. It suggests that love itself is not at fault for the heartaches one might experience; it is merely a reflection of our own choices and vulnerabilities. This tango melody serves as a reminder that the dance of love, with its intricate steps, is both a celebration and a lesson.

Tango

Style

Alfredo De Angelis

Orchestra

Juan Carlos Godoy

Singer

Juan Pueblito, Roberto Caló

Author

Juan Pueblito

Composer

1958/4/7

Date

Juan Carlos Godoy
Juan Carlos Godoy
Alfredo De Angelis
Alfredo De Angelis

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Miguel Caló – Carriego – 1948/1/5
Orquesta Símbolo Osmar Maderna – Cadenas – 1959/11/23
Orquesta Símbolo Osmar Maderna – No no llores más – 1959/6/17
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18
Orquesta Símbolo Osmar Maderna – Me has robado el corazón – 1959/11/23
Orquesta Símbolo Osmar Maderna – Mi poncho tucumano – 1959/8/18
Nuevo Quinteto Real (Horacio Salgán) – El motivo (Pobre paica) – 1987/1/1
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1958/4/7 – Aguantate Casimiro – Alfredo De Angelis
1958/4/10 – No no llores mas – Hector Varela
1958/4/15 – Encadenados – Miguel Calo
1958/4/15 – Por quererla asi – Miguel Calo
1958/4/17 – La ultima copa – Alfredo De Angelis

Lyrics Translation of the Tango No culpes al amor

This is the translation of the Tango “No culpes al amor” from Spanish to English. The English lyrics of the Tango “No culpes al amor” have been done with AI.

Letra del Tango No culpes al amor

Comienza aquí
La despedida sin un beso,
Termina así
En las cenizas del adiós.
Cayó el telón
Sobre la farsa sin final feliz,
Con el matiz
De la serena confesión.

No culpes al amor
Que pide y da ternura,
Lo nuestro no es amor
Apenas aventura.
No culpes al amor
Que yace en el olvido,
Si siempre me has mentido
Si nunca te he querido,
La culpa es de los dos.
Un día sentirás
Que estás enamorada,
Entonces tú dirás:
“No culpes al amor”

Es tarde ya
Para los celos y el orgullo,
Es tarde ya
Para la escena del perdón.
Es el final
Sin una lágrima, sin un rencor,
Con el valor
De la serena confesión.

English lyrics of the Tango "No culpes al amor"

It starts here
The farewell without a kiss,
It ends like this
In the ashes of goodbye.
The curtain fell
On the farce without a happy ending,
With the nuance
Of the serene confession.

Don’t blame love
That asks for and gives tenderness,
Ours is not love
Barely an adventure.
Don’t blame love
That lies in oblivion,
If you’ve always lied to me
If I’ve never loved you,
The fault is of both of us.
One day you’ll feel
That you are in love,
Then you will say:
“Don’t blame love”

It’s too late
For jealousy and pride,
It’s too late
For the scene of forgiveness.
It’s the end
Without a tear, without resentment,
With the courage
Of the serene confession.

No culpes al amor by Juan Pueblito, Roberto Caló

No culpes al amor is a Tango written by Juan Pueblito, Roberto Caló and composed by Juan Pueblito.



Story behind the Tango No culpes al amor

“No culpes al amor” translates to “Do not blame love” in English. Throughout the song, a story of parting without bitterness is narrated, where love itself is not the culprit, but rather the fleeting nature of the relationships between the individuals involved. The lyrics start with a goodbye that lacks intimacy (“La despedida sin un beso”), and culminates in a farewell with a calm confession. This Tango speaks to the maturity of recognizing that not all relationships are meant to last, and that parting ways can happen without animosity or blame.



Symbolism of No culpes al amor

The song uses vivid imagery and symbolism to express complex emotions. The falling curtain (“Cayó el telón”) symbolizes the end of a performance, paralleling the end of the relationship which is depicted as a play without a happy ending. This depiction emphasizes the notion of relationships as spectacles, sometimes performed for outward appearances rather than genuine connection. Significant phrases like “La culpa es de los dos” (The fault is of both) underline a mutual acknowledgment of responsibility, distancing the concept of blame from love itself.



No culpes al amor in historic Context

Recorded in 1958 Argentina, a period rich with artistic expression amidst sociopolitical changes, “No culpes al amor” reflects a mature approach to themes like love and loss — typical of Tango music. This period in Argentine history saw a revival of traditional music as a form of cultural affirmation. In such a context, Tango music, including this piece, likely served as a reflective medium for the populace to deal with their personal and collective emotions subtly and artistically, addressing deeper emotional and societal issues through the veil of music and dance.



Juan Pueblito, Roberto Caló

Juan Pueblito and Roberto Caló were significant Argentinian Tango musicians known for their contributions to the Tango music scene in the mid-20th century.