Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
No aflojés is a Tango written by Mario Battistella and composed by Sebastián Piana.
“No aflojés” is a nostalgic reflection on the transformation of urban life and personal identity. It is told from the perspective of someone who reveres a figure from the past, a quintessential “compadrito,” known for his daring and vivacity. This character symbolizes the essence of traditional Tango culture, which seems to be fading away with the changes in society and urban environment.
The Tango is rich in symbolism invoking a nostalgic yearning for the past. The singer remembers a time when the protagonist was a dominant figure in local dance halls, enchanting others with his confident footwork. The phrase “¡Había que ver las churrascas cómo soñaban tras tuyo!” highlights how he inspired admiration and perhaps romantic interest among the women. Moreover, references to the changing times, like the streets’ “revocar de asfalto,” signify the inevitable modernization that is eroding the old, cherished ways of the barrio life.
The title itself, “No aflojés,” which translates to “Don’t give up,” serves as both a personal encouragement and a broader cultural plea to preserve the fading traditions in the face of relentless change.
The Tango was recorded in 1953, a time when Argentina was undergoing significant changes. Post-World War II, the urban landscapes and societal norms were rapidly transforming. As the lyrics lament the concreting over of old streets and bemoan the prevalence of “otarios” (fools or simpletons), they reflect a discontent with how these changes have diluted the robust character traits and simpler, more genuine lifestyle of previous times. The reference to this erosion of tradition and authenticity is encapsulated by the transformation of local haunts and the fading of old heroes.
Mario Battistella was an influential figure in the Argentine Tango scene, known for his poignant lyrics that often encapsulated the spirit and transformation of Buenos Aires.
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