Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Nada más is a Tango written by Luis Rubistein and composed by Juan D’Arienzo.
“Nada más,” which translates to “Nothing More” in English, expresses a profound emotional suffering and desperation linked to the fear of abandonment. The lyrics reveal a plea for the continuance of affection, highlighting a deep dependency on the lover’s presence and warmth. The singer voices a request, almost begging not to be left alone, equating being left with dying because life without their partner seems unlivable.
The song uses powerful symbols like “la cruz” (the cross) and “nieve” (snow) to convey the depth of despair and cold isolation the singer would feel without their loved one. The imagery of crucifixion—as implied by “será mi vida una cruz”—symbolizes immense suffering and sacrifice, while snow represents coldness and lifelessness, reflecting on a future devoid of the warmth of love. Further, “el azul del cielo” (the blue of the sky) turning to die along with their hope emphasizes the totality of their despair.
Recorded in 1958, “Nada más” came at a time when Argentina was experiencing political and social changes post the presidency of Juan Perón. This period was marked by instability and uncertainty which may also reflect in the song’s emotional tone: one of loss and deep longing for the past comforts. The yearning and pleading for the beloved not to leave can also be metaphorically tied to a nostalgic ache for better, more stable times, now perceived to be slipping away.
Luis Rubistein was an Argentine lyricist known for his deep and emotive lyrics in the Tango genre.