Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Muñeca brava is a Tango written by Enrique Cadícamo and composed by Luis Visca.
The Tango “Muñeca Brava” tells the story of a young woman who is both admired and scrutinized for her vibrant and seemingly hedonistic lifestyle. Referred to as “Muñeca Brava,” which translates to “Wild Doll” in English, she is depicted as a sophisticated city girl indulging in the pleasures of urban life, including drinking and dancing. Despite her allure and confident exterior, there’s a subtle hint of sadness and a poignant reminder of the fleeting nature of youth and beauty.
The primary symbolic element in “Muñeca Brava” is its title character, a woman who represents both the allure and the pitfalls of a life lived in pursuit of pleasure. Her actions—drinking fine champagne and laughing in the face of sadness—are emblematic of a deeper struggle to escape or perhaps mask the inherent sorrows of life. The references to her as a “toy of occasion” and a “flower of sin” indicate a transient beauty and moral judgment she might be subjected to by society.
“Muñeca Brava” was written in 1942, a period during which Argentine Tango was evolving not just as a musical style but as a cultural expression reflective of social changes. Post the economic collapse of the 1930s, the themes of nostalgia, loss, and disillusionment became common in Tango lyrics. The urban setting of the Tango, specifically referencing “del Trianón de Villa Crespo,” situates the song in a well-known neighborhood of Buenos Aires, highlighting the local color and urban spirit characteristic of the Tango during this era.
Enrique Cadícamo was a prolific Argentine lyricist and poet, known for his significant contributions to the Tango genre.