Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Muchacho is a Tango written by Celedonio Flores and composed by Edgardo Donato.
“Muchacho” portrays the existential musings of someone questioning a young man (muchacho) who has all the material comforts – residing in the upper floors of a fashionable building and possessing funds for indulgences. The song contrasts this opulent lifestyle with the depth of emotional experiences that derive from the struggles and passions lived in the more modest barrios. The lyrics hint at a perceived emptiness in a life where everything is bought and nothing is emotionally profound or genuinely earned.
The song frequently uses contrasts between light and darkness in its symbolism – contrasting scenarios under the “light of the Moon” or “beneath a streetlamp” to indicate moments of truth or awakening in more humble settings. The terms “bandoneón” and “tango” symbolize quintessential Argentine culture, suggesting a rooted emotional experience that the “muchacho” might miss due to his disconnection from traditional, passionate encounters of common people. Emotional depth verses material richness and the cultural richness of struggled life verses the hollow experiences of bought pleasures poignantly symbolize an authentic life versus a superficial one.
Recorded in 1951, “Muchacho” presents in the post-World War II era, during which Argentina experienced significant social and economic changes. This period marked a time of rapid urbanization and cultural shifts. In this context, Flores’ tango could be seen as lamenting the loss of traditional values in the face of growing materialism, a theme resonant with the feeling of nostalgia linked to tango’s golden age.
Celedonio Flores was an Argentinian poet and tanguero known for his vivid depictions of the life and character of Buenos Aires and its inhabitants.