Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Muchachita de París is a Tango written by Raúl Hormaza and composed by Eladio Blanco.
The lyrics of “Muchachita de París” paint a vivid picture of a poignant and nostalgic love story. It starts with the memory of a beautiful night in Paris, under a blue April sky, where the narrator meets a young woman with green eyes, comparing her to the sea. Their romance, however, is short-lived as the narrator is forced to leave due to the metaphorical “winter” that pulled him away. The narrative then shifts to the narrator’s return to Buenos Aires, haunted by the silence and pain of their separation. He reflects on the torturous silence that seems like oblivion and yearns for the past moments sealed with her kisses, holding on to a slight hope of possibly reencountering her on the streets of Buenos Aires.
The symbolism in “Muchachita de París” is rich and multi-layered, enhancing the romantic and wistful tone of the Tango. The reference to April’s blue sky and the comparison of the woman’s eyes to the sea suggest depth and expansiveness, possibly reflecting the infinite possibilities that the narrator saw in their initial encounter. The “winter” symbolizes hardships or obstacles that inevitably lead to the couple’s separation. Notably, the mention of the “dueño” or “owner”, in context to the girl’s current situation, highlights a sense of loss and possessiveness that the narrator feels. The recurrent theme of memories and their painful impact, alongside silence equated to oblivion, underscores the depth of the narrator’s ongoing struggle with the past love.
The tango was recorded in 1958, a period which for Argentina was marked by significant political and social changes. Post-Peronism, the country was experiencing a redefinition of its national identity and international relations. The narrative setting of the tango, transitioning from Paris back to Buenos Aires, could metaphorically suggest this global interconnectedness and the emotional turmoil that often accompanies the return to one’s roots. Additionally, Paris in the late 1950s was a hub of artistic and cultural ferment, which might have influenced the romantic and idealized portrayal of the city in the lyrics.
Raúl Hormaza is known for his contributions to the Tango music scene, infusing his compositions with deep emotional resonance and relatable narratives.