Mis tres Marias is a Tango written by Ernesto Franco and recorded by Juan D’Arienzo in 1961. The Tango Mis tres Marias is written by Ernesto Franco, Juan D’Arienzo has recorded Mis tres Marias with the singer Jorge Valdez.
“Mis Tres Marías,” translated as “My Three Marias,” unfolds a melody that dances between longing and reverence. Each Maria represents a cherished part of one’s soul: the past, the present, and the future, intertwined like the intricate steps of a tango. This soulful piece whispers stories of love, memory, and hope, resonating deeply within the heart.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
This is the translation of the Tango “Mis tres Marias” from Spanish to English. The English lyrics of the Tango “Mis tres Marias” have been done with AI.
Mis tres Marias recorded by Juan D’Arienzo
Mis tres Marias is an instrumental Tango composed by Ernesto Franco.
Interpretation of Mis tres Marias
The title “Mis tres Marias” translates to “My Three Marias” in English. As an instrumental tango piece, it evokes a sense of nostalgia, affection, and perhaps a dash of mystery. The three Marias might symbolize three significant memories or characters, each bringing distinct emotions and stories to life through the music. The piece likely begins with a lively yet tender melody, embodying the warmth and familiarity of these figures. Moving forward, each section of the tango could represent different aspects or moments with the Marias, interwoven with the rhythm and passion characteristic of tango music. The piece crescendos with vigor and concludes with a lingering note, suggesting an everlasting bond and cherished memories.
Juan D’Arienzo and Mis tres Marias
Juan D’Arienzo, renowned for his energetic and rhythmically driven interpretations of tango, brings “Mis tres Marias” to life with his orchestra. Known as “El Rey del Compás” (The King of the Beat), D’Arienzo’s arrangement would emphasize the dynamic and rhythmic core of the piece. His orchestra would accentuate the emotions of the composition, delivering a vibrant rendition full of life and movement. This interpretation would likely highlight the intricate interplay between the traditional instruments of the tango orchestra, such as the bandoneón, violin, and piano, offering a robust experience that enraptures listeners and transports them to the heart of Buenos Aires’ vibrant tango scene.