Fabrice Knecht Tango DJ

Milonguita (Esthercita)

Milonguita (Esthercita) is a Tango written by Enrique Delfino and recorded by Ricardo Tanturi in 1950. The Tango Milonguita (Esthercita) is written by Enrique Delfino, Ricardo Tanturi has recorded Milonguita (Esthercita) with the singer Horacio Roca.
“Milonguita (Esthercita)” translates to “Little Milonga (Little Esther)” in English. The name evokes a sense of tender affection and nostalgia, capturing the essence of a young dancer whose graceful steps narrate stories of passion and longing. Through its melodies, the piece paints a vivid portrait of Esthercita, the enchanting muse of the milonga’s embrace.

Tango

Style

Ricardo Tanturi

Orchestra

Horacio Roca

Singer

Samuel Linnig

Author

Enrique Delfino

Composer

1950/8/16

Date

Horacio Roca
Horacio Roca
Ricardo Tanturi
Ricardo Tanturi

Discover Other Orchestras

Alfredo Gobbi – Adiós corazón – 1958/4/17
Alfredo Gobbi – Saludos – 1958/7/7
Alfredo Gobbi – Calla – 1956/9/18
Alfredo Gobbi – La vieja serenata – 1949/1/31
Alfredo Gobbi – Sin vuelta de hoja – 1956/9/18
Osvaldo Fresedo – Se empieza jugando – 1936/12/7
Osvaldo Fresedo – Reflejos – 1928/2/3
Osvaldo Fresedo – Pebeta canyengue – 1927/11/4
Osvaldo Fresedo – Promesa cumplida – 1928/5/3
Osvaldo Fresedo – Madre mía – 1927/9/27
Orquesta Símbolo Osmar Maderna – Canción de lluvia – 1959/7/8
Orquesta Símbolo Osmar Maderna – Escalas en azul – 1959/6/17
Orquesta Símbolo Osmar Maderna – Gardenias – 1959/8/18
Orquesta Símbolo Osmar Maderna – Merceditas – 1958/9/23
Orquesta Símbolo Osmar Maderna – Fantasía en tango (Sobre motivos de Brahms) – 1958/9/24
Ricardo Tanturi – Salimos a bailar – 1957/9/30
Ricardo Tanturi – Decís que no te quiero – 1956/10/22
Ricardo Tanturi – Calor de hogar – 1945/11/9
Ricardo Tanturi – Pocas palabras – 1941/6/16
Ricardo Tanturi – Trasnochando – 1965/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Milonguita (Esthercita) recorded by other Orchestras

Milonguita (Esthercita) recorded by other Orchestras

1950/8/16 – Cuando llora la milonga – Ricardo Tanturi
1950/8/14 – Jorge Duval – Edgardo Donato
1950/8/14 – Pituca – Edgardo Donato
1950/8/18 – Bandoneon arrabalero – Francisco Rotundo
1950/8/11 – Sinforosa – Florindo Sassone
Milonguita (Esthercita) – 1965/1/13 – Anibal Troilo – Nelly Vazquez
Milonguita (Esthercita) – 1944/3/3 – Osvaldo Fresedo – Instrumental
Milonguita (Esthercita) – 1961/9/14 – Osvaldo Fresedo – Hugo Marcel
Milonguita (Esthercita) – 1950/8/16 – Ricardo Tanturi – Horacio Roca
Milonguita (Esthercita) – 1953/6/11 – Alfredo De Angelis – Carlos Dante
Milonguita (Esthercita) – 1959/9/14 – Jose De Alto (Dir. Jose Basso) – Instrumental
Milonguita (Esthercita) – 1968/5/15 – Florindo Sassone – Instrumental

Lyrics Translation of the Tango Milonguita (Esthercita)

This is the translation of the Tango “Milonguita (Esthercita)” from Spanish to English. The English lyrics of the Tango “Milonguita (Esthercita)” have been done with AI.

Milonguita (Esthercita) recorded by Ricardo Tanturi


Milonguita (Esthercita) is an instrumental Tango composed by Enrique Delfino.



Interpretation of Milonguita (Esthercita)

The title “Milonguita (Esthercita)” translates to “Little Milonga (Little Esther)” in English. This instrumental tango piece captures the essence of a young woman’s youthful spirit and playful elegance. The composition introduces listeners to an enchanting melody that intertwines themes of innocence and experience. With the lively rhythms characteristic of a milonga, it paints an auditory picture of Esthercita’s sparkling presence on the dance floor, her movements as light and graceful as the notes unfolding from the instruments.



Ricardo Tanturi and Milonguita (Esthercita)

Ricardo Tanturi’s orchestra brings “Milonguita (Esthercita)” to life with an emotive and dynamic performance. Tanturi’s ensemble skillfully balances the melancholic undertones with the vibrant tempo, creating a harmonious blend that resonates with the energy of the dancers. His arrangement emphasizes the intricate interplay between the bandoneon and the violin, masterfully capturing the heart of the tango tradition while highlighting the uniqueness of Esthercita’s character in each melodic phrase.