Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Milonga antigua is a Tango written by Rafael Pignataro and composed by Carlos Parodi.
“Milonga antigua” unveils the deep-rooted connection of the Argentine people with the dance form ‘Milonga,’ which is both a precursor to the tango and a lively, folkloric musical style. Through evocative language and vivid imagery, the lyrics celebrate the simple joys and everyday life connected to Milonga, expressing a strong sense of national identity and cultural pride. The repeated mention of different women names highlights the communal aspect and the personal connections built around dancing Milonga in local settings.
The song is rich in symbolism, starting with the repeated reference to Milonga as the purest expression of Argentine essence. Metaphors such as “agarrao como una mata” (clinging like a plant) symbolize the deep roots and inextricable connection of Milonga to Argentine soil and soul. The “bajos del pantalón” (trouser cuffs) and reference to routine activities around Milonga weekends signify the everyday integration of this tradition in the singer’s life, showing a personal yet universal cultural practice.
Recorded in 1942, during a time when Argentina was marked by political changes and a strong sense of nationalism, “Milonga antigua” serves as a poignant reminder of the cultural constants in Argentine lives. Despite global upheavals, the song reflects an adherence to tradition and a celebration of local practices, notably embodying resistance through cultural continuity.
Rafael Pignataro was an Argentine lyricist known for his poignant songs that often encapsulate the spirit and tradition of Argentina.