Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Miedo is a Tango written by and composed by Eladio Blanco.
The tango “Miedo” narrates an intimate, introspective moment of the protagonist confronting their emotions upon seeing a past lover. It encapsulates a profound sense of nostalgia, longing, and fear. The encounter evokes memories of love, imbued with beauty and sadness. The protagonist hesitates to bridge the gap between them, despite the desire to reconnect, stopped by the weight of reality and past pain.
The word “miedo” (fear) serves as a central symbol in the lyrics, representing the emotional paralysis induced by the fear of vulnerability and reopening old wounds. The white dress symbolizes purity and nostalgia, reminiscent of idealized memories. “Radiante como el sol de abril, de un tibio mediodía” evokes warmth and renewal, yet is overshadowed by emotional conflict. The voice that says “déjala pasar” signifies inner doubts and the resignation to let past love slip away, highlighting internal struggle and unresolved emotions.
Created in Buenos Aires in 1940, “Miedo” is steeped in the poignant sensibilities of tango culture prevalent during that time. The 1940s were marked by the effects of world transformations and economic fluctuations, impacting collective and personal narratives. In Argentine tango, themes of love, loss, and nostalgia were prevalent, mirroring societal changes. Buenos Aires, as the core of tango’s evolution, provided a rich backdrop for these emotionally charged expressions, where music served as a poignant outlet for personal and cultural reflections.
Eladio Blanco was the composer behind “Miedo,” offering a musical landscape for its expressive lyrics by the unidentified lyricist. Through tango, their collaboration brought forth a deeply personal and culturally resonant work.