Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Meta garufa is a Tango written by Mario Bustos and composed by Leo Lipesker.
“Meta garufa” portrays a lifestyle centered around constant enjoyment and partying, referred to in the lyrics as “garufa,” an Argentine slang for fun or a night out partying. The lyrics express a critique of a person who lives night after night in revelry, avoiding work and responsibilities, embracing a carefree and hedonistic lifestyle. This person justifies their actions with a dismissive attitude towards the traditional work ethic, hinting at a philosophical stance where all ends the same regardless of one’s efforts.
The repeated chorus “Meta garufa, dale nomás” (Keep partying, just go on) symbolizes a relentless pursuit of pleasure. The phrase “Las horas perdidas no vuelven jamás” (The lost hours never return) serves as a poignant reminder of time’s irretrievability, contrasting the ephemeral joy of constant revelry with the permanent loss of time. This juxtaposition serves as a caution, suggesting that the endless pursuit of fun can lead to irreversible regrets. The counsel to change in “Seguí mi consejo, tenés que cambiar” underscores the potential for future consequences, urging a reevaluation of one’s lifestyle choices.
Recorded in 1961 in Argentina, a period marked by political and social upheaval, “Meta garufa” mirrors the societal attitudes towards work, leisure, and personal accountability. During this era, Argentina was experiencing significant changes in its social fabric, with increasing urbanization and the influence of modern consumerist cultures. The tango could be seen as a reflection on the conflicts between traditional values and the emerging modern lifestyle, where immediate gratification often overshadowed long-term planning and consideration.
Mario Bustos was an Argentine tango lyricist and poet, known for his contributions to the genre during the mid-20th century.